Continuing with yesterday’s theme of reclaimed wood furniture, specifically, beds made from reclaimed wood, today, we’re rounding out the bedroom with reclaimed wood dressers, stools, nightstands, chests, bookshelves, and benches Again, the look is inspired by Monday’s Design Diary post, “Hutker Architects Goes Graphic On Martha’s Vineyard,”
Reclaimed and/or rustic pieces can add texture to a crisply modern white space, blend into a well-patina’d industrial loft, or mix easily with early colonial and naif folk styles. Of course reclaimed wood furnishings are also at home among vintage finds. Don’t use too much of it. One piece in a room, or a few sprinkled throughout the house, does the trick.
Here are 20 pieces of reclaimed wood bedroom furniture.
S H O P P I N G
1 Alexa Reclaimed Wood 7-Drawer Dresser, $1,499 at West Elm.
The rustic style wood pieces work particularly well in this bedroom in that they help bridge the outdoor space of the deck with the interior. The bold graphic rug reiterates the clean, modern design, providing a satisfying juxtaposition of texture and style.
Today I’ve pulled together a collection of 20 beds with a rustic feel, most created from actual reclaimed wood (though a few are just executed in a reclaimed woods style.) The sources range from well-known favorites that include West Elm and Crate & Barrel, some popular e-retailers, such as Burke Decor, a great site that sells amazing consignment pieces, called Chairish, and a couple of well-priced English sites, like FurniturePlus, for those abroad.
Hutker Architects coined a term for the style of home they’ve been busily building on Martha’s Vineyard for the past 25 years: “new regional vernacular.” Peter Cappuccino, lead architect on this project explains it as using traditional forms and familiar materials but applying them in new ways, while designing to suit a modern lifestyle.
Anne and Peter’s Vineyard home is a perfect example. I wrote about it in an article called “Vineyard Dreams” for the Cape & Islands issue of The Boston Globe Magazine on Sunday, July 20. I hope you will click through to read the story, as well as scroll down here for additional photos and notes.
There are both water and wooded views from the steeply sloping site. Here, the deck, which connects the public spaces of the living room, kitchen, and screened porch, looks north. Here, the master bedroom deck has an amazing view towards Nantucket Sound. From the corner, one can see the steamship ferry come and go from Wood’s Hole.
All the rooms enjoy what Cappuccino called “single width volumes,” meaning every room has at least three exposures. One ascends the stairs, enters through a single story space with a standing seam metal roof. To the right a two story space houses the kids rooms downstairs and guest suite, with a private stair. The two-story volume in the middle towards the back holds the master suite upstairs, also with private stair, and kitchen below. There’s also a family room behind that. The long room jutting into the foreground on the left is a double living room and dining room with cathedral ceiling. Decks and a screened porch run along the other side.
Courtney Fadness, who recently moved on from Hutker, designed the home’s interiors using a high/low approach, using fun graphic pieces. The Standishes, who have three college aged kids, wanted the home to feel cozy, but with plenty of pattern and splashes of color. Fadness says, “Since it’s nestled in the trees, rather than on the beach, we could play with a more saturated palette than if we had been tied to ocean hues.”
A custom diamond pattern sisal by Merida is the base layer that runs the length of the huge room. A Moroccan-inspired dhurrie by Madeline Weinrib defines the seating area above. The sofa is a custom piece by Vioski, upholstered in a linen blend by Romo. It has a notch cut out on the back for a console table, so when you approach from dining room, you see shelves on that side. Fadnes says, “It feels more inviting, and its sculptural silhouette looks beautiful from all angles.”
The dining room, which precedes the double living room space, is dominated by a live edge wood table with a steel insert and base that the couple found on 1st Dibs, along with a statement chandelier. The wood slat and metal chairs are outdoor pieces from Terrain, and the upholstered chairs add heft and height.
The Currey & Company “Bayside” chandelier is wrought iron hand-wrapped in abaca rope; a nod to the beach. She says, “The not too serious interpretation of a traditional form adds feminine curves; it’s a nice juxtaposition to the more modern and masculine table. It also helps fill the volume of the space, without feeling heavy or obstructing views.”
The wall on either side of the fireplace is painted teal, a color pulled from the Madison & Grow wallpaper across the room. The chairs have a nice back, so can be oriented towards the first or the second seating areas. Metallic gold dot pillow from Anthropologie.
Deeper into the space, pushing out towards the view, is the living room’s second seating area. The sofa and armchairs are Baker Furniture, upholstered in linen by Romo and a nubby brown fabric. and The assortment of reclaimed wood coffee tables are from Anthropologie, and the arc lamp from CB2.
The screened porch has sturdy teak sofas with indoor/outdoor cushions.
The kitchen is on smaller side, with a focus on the more practical aspects, The countertop is Caesarstone and the the backsplash of stove is a river rock –painted cabinetry, tom Dixon pendants, the backsplash over the stove is a river rock, bringing outside elements in. The cabinetry have painted frames with frosted resin insets and the light pendants are Tom Dixon. The palette reflects the monochromatic contrast of white on dark found in several other places in the house. The flooring in the entry and kitchen is budget- and user-friendly cork.
“Ribbed” by Ferm Living wallpaper in the powder room again shows the play of light and dark, and also brings in organic shapes. The sink looks like hammered metal but is actually porcelain. The homeowners found the mirror. A limestone counter sits atop a bamboo vanity that’s the same color as the bamboo floor. The Kohler single handle faucet is brushed nickel.
The kids hang in the casual family room, located behind the kitchen, to watch television.
Anne likens the experience of her airy master bedroom to sleeping in a treehouse. All the walls, as well as the cathedral ceiling, are painted pale blue, as it were a continuation of the horizon. Graphic rug by Dwell Studio.
When I have time, I like to get lost inside art websites. During one such journey, I started collecting images of women floating. Last night, I was poking around for more photos to add to the collection of floating female figures, when I came across an entire such series on Artsy, by Japanese-based photographer,Natsumi Hayashi.
Natsumi Hayashi, who lives in Tokyo with two cats (that’s pretty much all she listed in her bio), documents levitating self-portraits on her website Yowayowa Camera (“yowayowa” means “weak” or “feeble” in Japanese). She also gives a bit of explanation of how she achieves this feat, though it was too technical for me to really get it. (I’m so not mechanically inclined, which puts a damper on my own photography skills.)
These levitating self-portraits are a lot of fun. I love her cute outfits and varied settings, from urban transportation centers to verdant fields. She seemed to do them practically daily back in 2011, not sure what she’s up to now. . .
I snagged this from my mother-in-laws garden last month, before she was on the Cape for the summer. Shhh, don’t tell. I think it’s a peony. I stuck it in a milk glass bud vase on my sideboard. Love the way it looks against the white wall.
Oftentimes windows are overlooked when it comes to adding flavor to a design. It’s almost always white windows on the exterior, and usually the window trim is painted white inside too. Sure, sometimes they’re stained, and black window trim can be incredibly striking, but one doesn’t usually see an eye-popping orange.
Cedar shingle homes in wooded areas, like the Vineyard, might sometimes have forest green windows, meant to add interest, but blend with the surroundings. When we designed the house on the Cape, we specified Benjamin Moore “Baby Boy Blue” as our exterior window color. I knew I wanted turquoise, although I picked that specific shade in kind of a rush. It’s probably a tad too light and Caribbean-esque, but I love it anyway. (There’s a photo at the end of this post.)
When the construction crew put them in, the guys on the job, including the plumber, had something to say. Skeptics! Ok, the windows don’t necessarily blend, but I love them. Even though windows seem like an unsatisfying expenditure, I’ve learned that deciding between various window types can really make an impact on not just the design, but the whole feel.
I’m a proponent of true divided light windows — that means there are individual panes of glass between the mullions. There’s nothing worse than cheap plastic mullions shoddily attached to the glass. Awful. There’s a compromise you can get away with, called full divided light, if need be.
Inside, our window trim is painted white. (Actually, everything’s painted white, except for the ceilings in the boys rooms and guest rooms.) It’s possible to get an amazing look with a contrasting trim, though I haven’t figured out how to do it myself. (I tried in my very first apartment in New York, and let’s just say it was an epic fail.)
Below are gorgeous examples of brightly colored exterior window trims, along with some very zingy interior window trims.
Portland, Oregon-based photographer Holly Andres was born in Missoula, Montana in 1977. She earned her BFA in painting at the University of Montana and her MFA from Portland State University.
Andres had her first solo exhibition Sparrow Lane in Portland, Oregon in 2008, which continued on to shows in San Francisco, New York and Istanbul. The Sparrow Lane images depict four young women and explore the female transition into adolescence and the loss of innocence, with allusions to Nancy Drew, Alice in Wonderland, 1970s horror films and Alfred Hitchcock.
Stories From a Short Street is a suite of eight photographs inspired by Andres’ experience growing up in rural Montana, the youngest of ten children. She posed groups of kids based on her own siblings to enact a specific moment in her memory.
Follain is a tiny beauty boutique in Boston’s South End that carries over 30 independent brands of healthy, high performance skincare, hair care, and cosmetics, all made in the U.S.A. The shop is owned by the lovely (natural beauty) Tara Foley, who personally vets every offering.
Foley spent a summer working on an organic lavender farm in France followed by working with a private label skincare manufacturer in Maine. Armed with an MBA from Babson College, Foley opened Follain last summer.
In April she added a second Follain store on Nantucket. Last month the Follain webshop launched. If you can’t make it into the Remodelista-worthy shop (subway tiles, pale wood, farmhouse sink, marble counters, succulents), try the website, which has the same aesthetic and offers the same products as the Follain brick & mortar boutique.