The digital edition of Traditional Home, called TRADhome came out last week. This is an online only version of the magazinef that features less established and up-and-coming designers. In 2012’s TRADhome, I wrote about a home designed by Palmer Weiss—my blog post here—and in the 2013 “Great Kitchens” edition, I wrote about designer Liz Caan’s color-filled dining room, blogged here.
Yesterday I posted 12 rooms designed by five of the 10New Trad Designers 2013, as seen in Traditional Homes’TRADHome Spring 2013 digital issue. Today I’m featuring the work of the other 5 New Trad Designers 2013, interior designers Ginger Brewton, Heather Garrett, Summer Thornton, Andrew Howard, and Frances Merrill. I love the mix of styles, colors, and textures they incorporate into the rooms.
As for the this year’s up-and-comers, that 2013 TRADHome digital issue came out this spring. The 10 New Trad Designers 2013 are incredible. The work ranges from thoughtfully serene to energetically colorful. It was hard to narrow down the images, so in order to show a few from each, I am splitting it into two parts. Today I’m featuring the work of interior designers Andrew Maier, Julie Goldman ofJ. Latter Design, Katie Lydon, Kristin Rocke of K. Rocke Design, and Taylor Borsari.
I’ve worked with Katie Lydon before, but the others are new to me. I’m psyched to have already had a chance to collaborate with Julie Goldman on an upcoming Matouk blog post. I’m hoping I’ll have a chance to work with the others soon too. Here is a sampling of the work of the first half of the New Trad Designers 2013.
Finally, I present you with a San Francisco home designed by Palmer Weiss, featured in Traditional Home‘s TRADhome this month. She is one of the magazine’s 10 New Traditionalists. Starting with the colored door, all the way in and up to the nursery, the interiors are superb. Enjoy the photos and be sure to click through to the actual story in the new digital issue of TRADhome.
E X T E R I O R
The home’s color-drenched front door is inspired by designer Miles Redd’s blue front door that was once featured in Domino. “A lot of people walk by saying they love it,” says the homeowner.
The statement piece over the mantel is Carvers’ Guild ‘Entwined Dolphins Mirror’ in hand-laid gold leaf. Weiss says, “I like that it wasn’t the usual star burst design.” She always goes with convex when it hangs high enough to cut off people’s heads since it’s “bad feng shui.” The ikat-covered Oly Studio ‘Sophie’ armchair adds a bit of global patterning.
Initially the homeowner thought that silk curtains might be “too grown up,” but loved the idea once Weiss dressed them down with a cotton ticking lining. A pair of vintage lamps mirror the symmetry of the maize-colored silk drapes.
Weiss topped the pair of curvy turquoise lamps, purchased from Flessas Antiques in New York City, with custom brown silk lampshades.
D I N I N G R O O M
The dining room ceiling is based on the homeowner’s Meissen ‘Ming Dragon’ china. Following a base coat, a decorative painter used 15 coats of glaze. Weiss says, “You can literally see yourself in it.”
The wall color, a custom pale blue, was pulled from the sky of their Massimo Vitali beach photograph. (The couple has a number of fine modern photographs; the husband’s mother is a board member of the San Francisco Museum of Modern Art.)
Weiss designed curvy banquettes to flank the entryway of the dining room. They’re on wheels to make it easy to roll one up to the table for extra seating. The Indian rug in the dining room is Irving and Fine through the Todd Alexander Romano showroom.
The neutral colored sofa is piped in coral, a color that references the ceiling of the adjoining dining room. The chairs are upholstered in Schumacher ‘Saint Tropez’ in ‘Java,’ a durable outdoor fabric.
The adjoining study boasts custom cabinetry and an Eames Management Chair in white leather. The neutral Roman shade is edged in tealtape, notched at the corners, and the silver carpet is from Stark.
For the dressing room hallway of the primary suite, Weiss wanted, “Just a little moment there.” They went with inexpensive lanterns from a Moroccan import place that cast lacy shadows on the walls and ceiling. A Hickory Chair bench upholstered in a deep yellow and edged with teal sits in front of a niche hung with a framed section of hand-painted wallpaper.
N U R S E R Y
The nursery won’t need de-babyfying. Formal red drapes and valance are sophisticated but not to. An existing armchair and ottoman was redonein Peter Dunham ‘Kashmir Paisley’ linen. The checked wall-to-wall carpet works well for kids—it’s soft and stain-resistant.
The guest room was pulled together on a budget. Weiss swapped the chrome hardware on the bedside tables with gold and re-purposed an old headboard in inexpensive orange velvet. The toile slipper chair is a nod to the wife’s preppy East Coast roots. The draperies are Kravet ‘Pelago’ in ‘Haze.’
Last month, San Francisco-based designer Palmer Weiss, whose work I adore, asked if would submit her work to Traditional Home for its Trad Home New Designers contest. (Trad Home is the magazine’s digital edition). The house we submitted is absolutely gorgeous, and I’m happy to say she won!
The May issue of the print magazine will feature an announcement with everyone’s photos, and the projects of the ten winners will be published in the spring edition of Trad Home online. The bloggers who nominated the designers will write the accompanying stories. I’ve already did my interviews with Palmer and the homeowner, and will be working on crafting the feature all day today.
Congrats Palmer, and congratulations to the other New Trad winners.