Tag: Fawn Galli

Scheming: Meredith and Daniel’s Master Bedroom

If you read my blog post about gray sofas earlier this month, then you know I have sashayed into the realm of decorator. To recap: A friend asked me to decorate her new four bedroom apartment in New York City. There’s no construction, kitchens or baths involved; it’s the paint and wallpaper, furniture, rugs, lighting, and accessories. There are a few pieces making the move that I’ll need to integrate, and the toddler’s room is pretty much set, leaving the master bedroom, nursery, guest bedroom/office, playroom, living room, and dining room.

The master bedroom seemed like the easiest place to start. Meredith is really drawn to this bedroom, particularly the jade color, designed by New York City designer Fawn Galli.

Designed by Fawn Galli

I’m a huge fan of Fawn’s work. In this room, I  love the dramatic green headboard and wallpaper with surreal  tree forms. However, the bedroom that really spoke to me for this project was the one I wrote about for TradHome, by San Francisco designer (of whom I am equally enamored), Palmer Weiss.

Designed by Palmer Weiss

Some of the differences between the two rooms reflect how my tastes and Meredith’s can differ. She tends to favor curvier, more feminine styles, while I really like more spare, hard-edged lines. Luckily, blue and green are both of our go-to colors.

She knew she wanted an upholstered headboard. After sifting through styles and swatches from Jonathan Adler, Dwell Studio, Serena & Lily, West Elm, Crate & Barrel, Ballard,  Williams-Sonoma, Oly, Cisco, Vanguard, and Lee Industries, we chose the Serena & Lily Pondicherry trimmed with nickel nailheads. We haven’t confirmed an exact fabric yet, but it will be white.

For wallpaper on the bed wall, we ordered samples from Walnut Wallpaper, Graham & Brown, Burke Decor,and indie designers’ sites. I didn’t find a jade green—most were sea foam or pale sky blue. She liked several, and we narrowed it to two choices: Grow House Grow! ‘Mme. Jeanne’ and the new Timorous Beasties ‘Butterflies,’ which we have yet to see IRL (in real life).

Master bedroom floor plan

Which decorating scheme do you prefer?  
Feel free to leave feedback. Remember, I’m new at this.

Scheme #1

*   *   *  

Scheme #2

S H O P P I N G

Scheme #1
Wallpaper:
Grow House Grow! Mme. Jeanne, Grow House Grow!

Bed:
Serena & Lily Pondicherry Bed with Nailheads, Serena & Lily.

Nightstands:
Malibu Loft by Somerset Bay Concave Side Chest, Zinc Door.
Bungalow 5 Jacqui Side Table, Clayton Gray Home.
Jonathan Adler Preston Side Table, Jonathan Adler.

Rugs:
Suzanne Kasler Oria Flower rug,  Safavieh.
Jill Rosenwald ‘Fallon’ flat weave wool rug,  Hayneedle.
Surya Spectrum wool rug, RugStudio.
Suzanne Kasler Athene wool & silk rug, Zinc Door.
Martha Stewart Ikat Marsh wool & silk rug, Zinc Door.
Frontier Moroccan flat weave wool rug, Zinc Door.
Bowron vintage shearling rug, Burke Decor.

Chandeliers:
Arteriors Caviar Staggered Pendant, Candelabra.
Calais Glass Chandelier in Aquamarine,  Z Gallerie.

Dressers:
World’s Away Studly Lacquer Dresser, The Well Appointed House.
Jonathan Adler Channing 6-Drawer Dresser, Jonathan Adler.

Scheme #2
Wallpaper:
Timorous Beasties Butterflies,  Timorous Beasties.

Bed:
Serena & Lily Pondicherry Bed with Nailheads, Serena & Lily.

Nightstands:
Bungalow 5  Jacqui Side Table, Clayton Gray Home.
Malibu Loft by Somerset Bay Concave Side Chest, Zinc Door.

Rugs:
David Easton Paro Grid wool & silk rug, Zinc Door.
Shabati Paxi wool & acrylic rug, Zinc Door.
Surya Spectrum ivory rug, Hayneedle.
Thomas O’Brien Deco Garden wool & silk rug, Zinc Door.
Surya Thom Filicia Griffith Park wool & viscose rug, Buy.com.

Chandeliers:
(Existing) Five-Light Coral Branch Chandelier, Ballard Designs.
Arteriors Caviar Chandelier, The Well Appointed House.

Dressers:
Bennett Lowboy Dresser, Zinc Door.
Malibu Loft by Somerset Bay 12-Drawer Dresser, Zinc Door.
Vanguard Mirrored Chest, Horchow.

Designer Spotlight: Timorous Beasties

Yasumasa Morimura “Dialogue with Myself 1,” 2001
on  Timorous Beasties, “Glasgow Toile ” printed linen, 2004.

Last fall, the Museum of Fine Arts, Boston opened the new Linde Family Wing for Contemporary Art. We went with the kids, in a fit of “let’s get them some culture.” 

Turns out one of them had a serious fever by the time we got home. But anyway . . .

I was thrilled to turn a corner to see an entire wall sheathed in Timorous Beasties’ “Glasgow Toile.” I knew that the Scottish designers, Alistair McAuley and Paul Simmons, were talented guys, but I hadn’t realized they had reached such sophisticated levels of recognition. Turns out, their work is also at the V&A in London and the Cooper Hewitt in New York.

Detail

I have been meaning to look into how the “Glasgow Toile” fit into the larger exhibition as a whole, as well as the relationship between it and the  Yasumasa Morimura painting that hangs on it.

(Yasumasa Morimura, by the way, is a Japanese painter who borrows images from historical artists, ranging from Edouard Manet to Rembrandt to Cindy Sherman, and inserts his own face and body into them. I just read the article in New York Magazine about an African American superstar artist working in Japan who has a similar schtick, but I shan’t digress any further.)

Although many of the works in the gallery have been moved around  since my visit, including the Morimura, the fabric is still there, and will be through the fall. What’s on it today? Interestingly enough, Cindy Sherman’s Untitled #282, in which she portrays herself as Medusa.

My own simulation: The Cindy Sherman photo that hangs on the wall of “Glasgow Toile” at the MFA.

This morning, I talked wtih Edward Saywell, Chair Linde Family Wing, Head of Department of Contemporary Art & MFA Programs. He was charming and informative, with an appealing  British accent. Although he doesn’t know the TB designers personally, he went to college in Scotland at the time they first set up shop in 1990, and has always been a great fan.

He told me that the theme of the gallery is “Quote Copy Update,” so all of the works in the space are about artists reacting to or emulating prior works of art, sometimes breaking traditions. Some look to the past to create something fresh with new technologies. Saywell says, “The Timorous Beasties ‘Glasgow Toile’ fits beautifully in that context. They looked at the old toiles of pre-Revolutionary France, and effectively created a toile for the 21st century.”

Like Morimura’s work, which is based on Frida Kahlo’s self-portraits,  Sherman also looks back into history for inspiration. Saywell points out what now seems obvious: Sherman’s work looks back to the Old Masters. Making it even more fun, he told me that it was photographed for Harper’s Bazaar. He says, “She looks like a sexy centerfold, but has cast herself as Medusa.”

Seywell explains that they wanted to show the Timorous Beasties fabric as something that belongs in the museum in its own right, but they also wanted to get across the idea that since it is commercially available , one is likely to have something hanging on it in a domestic setting. He says, “We could have just displayed the roll of it. . .   but we wanted to underline the drama and the excitement of the fabric by covering the entire wall.”

Why am I blogging about this today? One, Timorous Beasties has been on my brain. I just ordered a few samples of their papers—“Butterflies” and “Thistle”—for a design project I’m working on.

Top: Butterflies   |  Bottom: Thistle and Thistle detail

Two, I was asked to write a blog post about a London store I’d like to visit as part of the launch of the new Shopikon London site and app.  Shopikon is a very well-done shopping guide (I know, having written a number over the years myself!), with summaries and photos of the best stores in Barcelona, London, New York, and Vienna (Paris and Berlin to follow).

Timorous Beasties, 46 Amwell Street, London

Obviously, Timorous Beasties is my top choice of London shop. As if I don’t want to get my eyes on this stuff already, Shopikon further lures me in with: “Part showroom and part art gallery, you could spend hours gazing through the collection.” Yes, please.

Designers Alistair McAuley and Paul Simmons

The papers are hand-screened and printed. I would love to have them do a “Deconstruction” column for Design Milk. We did one with Brooklyn wallpaper darling Flavor Paper that was a lot of fun.

London-based design blogger (maybe we’ll meet!) Katie Treggiden of Confessions of a Design Geek sent me these images of Timorous Beasties “Thistles” concrete tiles that she spotted at Clerkenwell Design Week. They would be fantastic in a powder room, or in a kitchen with gray-grouted subway tile, installed behind a stainless steel range. These would be especially satisfying to experience IRL (in real life).