Tag Archives: Charles de Lisle Workshop

My husband and I have quite a bit of art—oil paintings, drawings, watercolors, pastels, photography—but not much in the way of sculpture. In fact, he said last week we should consider adding some to our collection. (OK!) We have a few pieces, which I’ve included photos of here, and at the end of the post. The above image (next to the Cynthia Packard) shows a little sculpture that my son made. (Most of you know I never gush about my kids, so indulge me this time.)

Boston sculptor/potter Steve Murphy has a daughter my sons’ age, so they’ve been treated to a special pottery-making sessions. Mercifully, Steve has the kids finish with a green glaze, so the clay  emerges from the kiln resembling patina-ed bronzes. My favorite is an abstract from the preschool years. (Subsequent years’ attempts at representational pieces were not quite so successful.) It’s been on our mantle for years, not out of misplaced maternal pride, but because I rather like it. (Aesthetics prevail around here.)

Here’s a shot of my bedroom bookshelf. (Excuse the low brow reading material.) The pieces aren’t exactly artfully arranged, but a few are quite special. Starting from the left:  black & white flower ‘Fusion Foto Bloc’ by Debbie Krim purchased at her SoWa studio; one of my most cherished works, a Romolo Del Deo bronze nude from Berta Walker Gallery in Provincetown, a holiday gift from my mother-in-law because I’ve always admired hers. Another gift from my mother-in-law, a miniature wooden Degas ballerina from the Met Museum gift shop. Her mother-in-law (my husband’s grandmother) gave it to her. She passed it down to me this past December. The two chairs prints I made a couple of summers ago after taking a class at Castle Hill. The small rock is a chunk of pyrite and the large rock on the right we found on a Truro beach. Finally, the outstretched ballerina on the right is a piece I’ve had for much of my life, passed down from my grandmother, who was an antiques dealer. It is bronze on a green marble base but don’t know anything else about it.

Now that you know plenty about my own collection, here are 45 more refined rooms with many spectacular sculptures, starting with a Dubuffet.

Designer Frederic Mechiche’s loft via Door 16
——–

Katie Lydon Interiors
———-

Trip Haenisch & Assoc. – Photographer Simon Upton – Elle Decor
———-

Kelly Behun   |   Kelly Wearstler, Metropolitan Home
———-

Photographer Pernille Kaalund
———-

Ashe + Leandro Architecture + Interior Design  |   unidentified
———-

via Desire to Inspire
———-

David Scott Interiors
———-

Designer Frederic Mechiche’s loft via Door 16
———-

Elle Decor
———-

The Selby
———-

Mercedes Perez de Castro
———-

Delphine Krakoff, Pamplemousse Design
———-

Photographer Warren Heath   |   Photographer Simon Watson
———-

James Harb Architects – Photographer William Waldron – Elle Decor

———-

Delphine Krakoff, Pamplemousse Design
———-

Geoffrey De Sousa Interior Design
———-

Photographer Stellan Herner   |   unidentified
———-

Photographer Pierre Jean Verger
———-

via The Brickhouse    |   Weitzman Halpern Design
———-

Jennifer Post Design – Architectural Digest
———

Eric Ceputis Design – Photographer Nathan Kirkman – Elle Magazine
———-

via The Brickhouse   |   Robert Passal Interior & Architectural Design – Traditional Home
———-

Hotel Particulier
———-

Kriste Michelini Interiors   |   Jennifer Post Design
———-

Luis Bustamante Arquitectura de Interiores
———-

Charles de Lisle Workshop    |   Marc Jacobs’ Paris apartment by Paul Fortune Design
———-

unidentified
———-

New York Spaces
———-

Wendy Blount, Blount Design
———-

Jennifer Post Design
———

Weitzman Halpern Design   |   David Scott Interiors

Kelly Behun
———-

Duane Modern Gallery   |    Adam Bram Straus Interior Design – Lonny
———

A few other shots of sculptures in my own home:

Left: Chaim Gross sculpture, a gift from my in-laws, It is bronze on a wood base, and very heavy.
Right top: A wooden sculpture of a mother and two children that I bought at a gallery in Wellfleet on Cape Cod when my children were about those ages, and always wanted to be held. It’s dark-stained wood. I can look up the artist if anyone’s interested.
Right bottom: A close-up shot of my son’s abstract clay sculpture, circa 2005.