We’ve introduced a number of new artists into the #WebsterArtProject at Webster & Company in the Boston Design Center this fall, in addition to new pieces by existing artists. Some are hanging, and some are en route. Here is a sampling; you can find a full listing of works here.
Thanks to my friend interior designer Dee Elms of Terrat Elms, who suggested me for the project, Mr. Webster and I have been collaborating on bringing new artwork to his Boston Design Center showroom, Webster & Company.
I pick the artists (most have ties to New England) and present available pieces to Mr. Webster. He and Visual Design Director Jonathan Giacoletto choose which ones to feature and where to hang them. We began in fall 2015 and it’s an ongoing success.
For a full listing of available works (as well as those that have sold), see the Webster Art Project tab here on my blog. If you are interested in pricing, please email me at stylecarrot [at] gmail [dot] com.
This fall I’ve had the opportunity to work on a wonderful new project: curating artwork for the Webster & Company showroom at the Boston Design Center.
I love art. I buy art like other women buy shoes. I have master’s in art history that I did for fun and I started collecting art around the same time. Friends have asked me for help choosing artwork, and over the years I’ve often thought of art consulting for interior designers.
This summer I was at the bar at Blackfish in Truro with my friend Dee Elms,who encouraged me. (If you don’t know her, she is a very talented, supremely generous Boston-based interior designer). A week later I got an email from Mr. Webster at Webster & Company, asking me if I’d be interested in helping find local Boston artists whose work he could hang in his showroom. (A little birdie suggested me.) He was looking to do a complete swap of everything he had hanging. Within a month.
In a frenzy, I scoured my files and sources for Boston artists (and some further afield in Maine and on the Cape) whose work I loved that aligned with Mr. Webster’s tastes. We met in early September, narrowed down my finds, and over the last few weeks the very gracious Mr. Webster and his meticulous visual design director Jonathan Giacoletto have hung the work. There are about 75 pieces from almost 20 artists, all either local or with ties to the area.
It’s been a thrilling experience, both working with Mr. Webster and his team and all the artists. I haven’t seen everything hung yet, but I plan to go this week. If you happen to be over there, stop by. (Obviously they’re all for sale. If you you’re interested, you can let me know.) Here is one piece from each artist represented. If you read ARTmonday regularly you will recognize some names. More photos to come of the installations in the coming weeks.
John Ross, who has a degree from UCLA and is co-founder of design label PATCH NYC, composes photos inspired by Dutch still life paintings in his South End studio using only natural light.
Tess Atkinson, who graduated from Skidmore College and studied photography at the School of the Museum of Fine Arts, Boston, likens her images to being lost in a trance.
Linda Pagani, who studied at the Art Institute of Chicago and School of the Museum of Fine Arts, Boston, photographs vast spaces to compose abstract new environments.
In her studio in Manchester-by-the-Sea, Anna Kasabian crafts wafer thin porcelain pieces that recall the forms and motions of flowers, sea plants, and ocean waves.
Abstracting beauty from the ordinary, Jenny Brillhart, who holds an M.F.A. from New York Academy of Art and a B.A. from Smith College, lives and works in Miami and Stonington, Maine.
Having begun her career as a fiber artist, today Judyth Katz works in paints and pastels to create abstracted landscapes en plain air and from her studio on the Outer Cape.
MP Landis, who traveled the world with his Mennonite missionary parents, opened a bookstore, and painted in Provincetown, recently relocated from Brooklyn to Portland, Maine.
Rain, laughter, footsteps, and foghorns are examples of the fleeting inspirational moments that inform Maine-based artist Jenny Prinn’s colorful abstract paintings.
Grace Hopkins, who holds a B.F.A. from Tufts University and the School of the Museum of Fine Arts, Boston, creates photographs with he look and feel of abstract paintings.
Hilary Tait Norod
Neuroscience and psychology are strong influences on Boston-based painter Hilary Tait Norod, who holds a B.A. in studio art from Skidmore College.
Former creative director and muralist Steve Barylick, who holds a B.F.A. from Massachusetts College of Art, paints abstracts at Joy Street Artist Studios in Somerville.
Linda Cordner layers pigmented translucent wax to depict subtle, atmospheric landscapes, all created in her SoWa studio.
Boston-based photographer Alicia Savage, who holds a B.A. from Northeastern University, documents her life and mind in self-portraits that hide her face but uncover her journey.
Abstract Expressionist Budd Hopkins (1931—2011), who worked in New York and Wellfleet, combined geometrics with a gestural style. The Whitney Museum and The Guggenheim, among others, own his work.
Sarah Lutz, whose abstract work refers to the natural world, holds a B.S. from Skidmore College, an M.F.A. from The American University, and lives and works in New York City and Truro, Mass.
Using film and nontraditional techniques, South Shore-based photographer Stephen Sheffield, an alumnus of Cornell University and California College of the Arts, creates narrative images with a cinematic feel.
Ellen Levine Dodd
Ellen Levine Dodd, who grew up and studied art in New England, creates expressive compositions with colorful gestural brushwork in her Northern California studio.
Working from his home studio overlooking a pond on Cape Cod, Joe Diggs sometimes strategically plans his compositions while other times is guided by pure emotion.
I love when I have the opportunity in my work to showcase local Boston artists and makers. For the last couple of months I’ve been working on a interior decor scheme for a model apartment at Troy Boston, a brand new, upscale, “green” rental building in SoWa. It’s a little outside my usual scope of projects and it’s been fun. You may have seen the initial post I did about it, when I was determining the color scheme for the apartment—Impressions: Creating a Color Palette of Charcoal + Dusty Rose. The final palette is indeed based on this post, with plenty of textural elements, including velvet, sheepskin, cork, plywood, and copper.
The best part has been curating the artwork. The art collection is the distinctive feature of the overall design and I hope people will view it as an exhibition rather than mere decoration. The pieces, which include paintings, photographs, sculpture, and mixed media pieces, are all done by New England-based female artists. Some of these Boston artists are talented friends (Lee Essex Doyle, Tess Atkinson, Grace Hopkins), others are young artists whose pieces I’ve purchased over the years at the SMFA Art Sale (Laura Beth Reese, Eugenie Lewalski Berg), others are artists I’ve become familiar with through blogging (Cig Harvey, Alicia Savage, Anastasia Cazabon, Anna Kasabian, Rachel Cossar, Winky Lewis, Jenny Prinn), and others are Boston artists who are new to me (Heather McGrath, Linda Cordner).
I knew from the start that I wanted to include a statement artwork of a partially obscured woman; a moody fashion-y photograph of an elusive woman. I was able to get a few, though no oversize pieces due to the prohibitive cost of printing. Nevertheless I think the collection will hold together well. At the end of this post, you can see my current hanging scheme for the main wall, and for over the bed. I also plan to print a few of my own Instagram photos to pin or (washi) tape up.
Here I present to you the Troy Boston Model Apt #1409 art collection featuring over a dozen Boston area artists. I hope you love it and will learn more about these talented women, all of whom have generously lent me their artwork.
Anna Kasabian, a local artist on the North Shore of Massachusetts working under the name Snowbound Pottery, emailed me in January with photos of her work. I was instantly taken with the delicate shapes and natural feel. The pieces are sweet but not precious or cloying. The white vases and and bowls themselves resemble flowers, with uneven scalloped edges and petal-like feet. I was unsurprised to learn that she makes everything by hand, without a wheel. When I responded to her mail saying I loved her work, she graciously sent me a tiny dish so I could see it and feel it. Her work is even more lovely in person.