Giveaway: Joyo Lasercut Birch Earrings

When the publicist for Joyo jewelry, a company based nearby in Scituate, Massachusetts, contacted me to see f they could send me a sample, I told them I’d prefer to pass it along to one of you. They were game with the idea of a giveaway.

The designer behind Joyo, Jenn Liddiard, who started the company in 2012, creates wood earrings, necklaces, and bracelets in modern geometric and naturalistic shapes, laser-cut from real walnut and birch. Liddiard laser cuts everything herself, and does all of the design, sanding, oil finishing, and assembly by hand. 

Liddiard is inspired by architecture, history, and nature. She likes transforming natural materials into unique, intricate, and unexpected forms. She says, “I have a habit of looking for patterns in ordinary places, like storm drains, sidewalk bricks, window grates, and fences–things that normally blend into our everyday surroundings. 

Laser Cut Wood Jewelry By Joyo

E N T E R  t o  W I N  t h e s e  E A R R I N G S

Tell me in the comment section of this post about an interaction with nature you had this summer. Did you climb a tree? Grow tomatoes? Make seashell mobiles? Swim with dolphins? Pick flowers? Gaze at the super moon? The simplest gesture will do. 

Deadline to enter is Thursday , August 21 at midnight EST. (Don’t forget to include your email address so I can contact you if you win!)

 joyo-leaves-earrings

Birch wood LEAVES earrings by Joyo

Jenn Liddiard Designer Joyo Jewelry

Jenn Liddiard of Joyo

Designer Spotlight: Shelley Simpson of Mud Australia

Earlier this summer, Shelley Simpson, designer and founder of tabletop line Mud Australia, visited Boston for the first time. Natalie van Dijk Carpenter, owner of South End boutique Lekker Home, hosted her for an evening. I was out of town, but was able to catch up with her a few days later by phone.

Mud Australia Founder Shelley Simpson At Lekker Home

Shelley Simpson and Natalie van Dijk Carpenter at Lekker Home in Boston.

Mud Australia porcelain is handmade in the company’s Sydney factory by in-house ceramicists, from Limoges porcelain, sourced directly from France. Unlike much tableware, to which the color is applied after the fact, Mud Australia tints the porcelain beforehand, which provides a distinctive depth of color. (It also means if a piece chips, the exposed portion isn’t white.)  The interior of each piece has a vitrified stone-like surface that becomes smooth with handling, but the interior is hand-brushed with a clear glaze. The look and feel is organic and the colors neutral, punctuated with a few brights.

When did you first start making pottery? 

When I was 28, I moved from Melbourne to Sydney, where I rented a house with a woman named Joy, who had a kick wheel in her back shed. She was always harassing me to have a go with it. One weekend when she was away, I got some clay and played around. She was very cross with me because she said my things were prettier than hers!

So you didn’t start out as a ceramicist? 

I’m creative, but I’m not trained in art. I draw now, but nothing like my 13-year-old son, who has a natural gift for it. But I have an eye for color and form.  My schooling has been  throwing things away.

How did you decide to pursue it as a business? 

I had applied to manage a theater, but they looked me over, in part because I was a woman. Joy and I started Mud Australia together in 1994, though she left the business after a few years and I’ve continued on.

And now? 

Mud Australia has 70 shapes and 18 colors. We’ve been focusing on new shapes lately more than colors. The latest is a series of mixing bowls and baking pans. We’re doing pendant lights in three sizes, and have a mortar & pestle in production. That really shows the durability of porcelain, so you can feel confident you’re not buying something fragile.

Are there pieces that are distinctive to certain regions?

The shapes work for anything. You can eat Yorkshire pudding, sushi or Middle Eastern food from the same bowl comfortably. That said, we have a distributor in Korea with three shapes specific to their market, including a kimchi pickle dish.  We also make exclusive pieces, like vases, for restaurants.

designer-profile-shelley-simpson-mud-australia-71

Mud vignette

designer-profile-shelley-simpson-mud-australia-31

 Photos by Ant Geernaert

What designers do you admire? 

 Gwen Hanson Pygget, an Australian potter  who created art pieces rather than functional ones. They’re absolutely beautiful. We’re in New York City now, and just went to the Judd; his color is exquisite.

What influences you when it comes to creating pieces for Mud Australia?

I love to bake, which is how we came to add the new baking pieces. I make Pavlovas and exotic birthday cakes for my kids and other family members. I once made a snake covered in marshmallows. Almost sculptural stuff. I go all out when it comes to baking a cake. For my daughter’s 16th, I made a cake with eight layers in rainbow colors, covered with white icing. The restaurant we brought it to was very impressed. My husband makes the dinners at home. Food is very important to our family.

What’s your home like? 

We live in a top-floor apartment in a four-story building in Sydney that’s an Arts & Crafts style, with an old French lift. There’s loads of trees with a vista to the harbor and a large deck; we do lots of eating al fresco. We’ve never lived in a house or on the ground. We want a garden. We are going to put the house on the market soon and find something new.

And of course you have plenty of Mud Australia dishes?

Yes, everything. And pieces that didn’t work out too.

What do you like most about your line?

Everybody’s  Mud Australia dinner set is unique to them, which I think sets us apart from other companies that present full collections. When you go to the store, you can get creative, which is fun. You can buy one piece at a time. Your collection can be a complete rainbow, or blackm white, and gray, or all pastels. Recently, one guy did slate and pink, which I wouldn’t have thought of, but when I was packing it up I thought, “This is amazing.”

Shop the Look

[show_shopthepost_widget id=”188656″]

ARTmonday: Ellen Levine Dodd

Earlier this summer I caught up with San Francisco Bay Area-based artis Ellen Levine Dodd, whose work I discovered at Serena & Lily. Last year, after I had featured some of Dodd’s colorful paintings, she emailed me to say she was headed to Provincetown. I wasn’t in town then, but she came back this year, and we met (in real life) at Chequessett Chocolate, a new funky coffee and chocolate cafe in Truro.

We chatted about art and the web, the growing opportunities for artists to sell work online (Serena & Lily’s gallery model has been fabulous for her), and life in general. She showed me images of her newest works on her iPad, and a delicious smoothie later, we parted,promising to catch up again next year. Of course, if I’m ever in the Bay area I’ll be sure to drop by her studio too.

Dodd’s a local Massachusetts gal. She grew up in Newton, went to Clark University on an art scholarship, studied painting at the Worcester Museum School, and photography at the Worcester Craft Center. Following a year abroad, she studied photography and printmaking at Massachusetts College of Art.

Dodd has a rich work history in the arts. She worked as a studio assistant in the paper mill at Sonoma State University, creating paper pulp for many artists including Sam Francis, has curated exhibitions, and consulted on business matters with artists.Currently she works full time as an artist, photographer, and digital fine art printer .

I’m drawn to the bold colors, textures, and shapes in Dodd’s layered pieces, on which she paints, scratches, sands, carves, and draws. Here are abstract and landscape multi media paintings by Ellen Levine Dodd.

ellen-levine-dodd-ipad-1

Dodd’s iPad with images of her new work.

ellen-levine-dodd-postcard-2

Postcard and plant at Chequessett Chocolate.

A-Loaf-Of-Bread-A-Jug-Of-Wine-by-Ellen-Levine-Dodd

A Loaf Of Bread A Jug Of Wine
Acrylic and mixed media on wood panel, in handmade basswood frame
12.75″ x 12.75”  •   $750

Island-In-The-Sky-2-by-Ellen-Levine-Dodd

Island In The Sky 2
Acrylic, mixed media on wood panel
12.75″ x 12.75”  •   $750 

Keep-Your-Chin-Up-by-Ellen-Levine-Dodd

Keep Your Chin Up
Acrylic, mixed media on wood panel
12.75″ x 12.75”  •  $750

Music-In-The-Garden-by-Ellen-Levine-Dodd

Music In The Garden
Acrylic, mixed media on wood panel, framed by the artist
16.75″ x 16.75”  •  $995

Pebbles-In-A-pond-by-Ellen-Levine-Dodd

Pebbles In A Pond
Acrylic, mixed media on wood panel, framed by the artist
2.75″ x 12.75″  •   $750

Striations-1-by-Ellen-Levine-Dodd

Striations I
Acrylic, mixed media on wood panel
8.75″ x 8.75”  •  $495

Wanderings-3-by-Ellen-Levine-Dodd

Wanderings 3
Oil, oil sticks, mixed media on wood panel, framed by the artist
12.75″ x 12.75”  •  $750

Which-Way-Is-Up-by-Ellen-Levine-Dodd

Which Way Is Up
Acrylic, mixed media on wood panel
16.75″ x 16.75”  •  $975

Headlands-1-by-Ellen-Levine-Dodd

Marina
Acrylic, mixed media on board
16.75″ x 16.75”  •  $975

Marina-by-Ellen-Levine-Dodd

Headlands 1
Acrylic, mixed media on cradled wood panel
6″ x 6”  •  $275

breaking-ground-ellen-levine-dodd

Breaking Ground
Casein, and mixed media on cradled wood panel   
29.5″ x 22.5″  •  $1,900

Carmel-Beach-Sand-by-Ellen-Levine-Dodd

Carmel Beach Sand
Casein, acrylic, beach sand, mixed media on cradled wood panel, framed by the artist
11″ x 7″  •  $385

ellen-levine-dodd-postcard-1

Postcard and cactus.

ellen-levine-dodd-ipad-2

More new work on Ellen Levine Dodd’s iPad.

•            •           •

Shop original artwork at Serena & Lily >

Shop Serena & Lily Art Collection