Boston area artist Lindsey Kocurexplores interior and exterior landscapes in graphic architectural paintings. These mixed media works were part of her MFA thesis “Interiority Complex,” exhibited when she graduated from Tufts University in partnership with the School of Museum of Fine Arts. (I actually discovered Kocur’s work at the SMFA Art Sale in 2012).
She says about her work, “Elements of idealistic contemporary living spaces blend with references to past architectural movements to highlight social issues surrounding structural design that persist today.” Kocur sources highly staged images online and from magazines. Her hope is that her hand-painted boards “reveal a human quality” as juxtaposed against the glossy, flawless interior photography.
I promptly contacted Moynihan, and she invited me to a ceramics show at Harvard, but I was unable to attend. Fast forward seven months, five days before Christmas when I email her in a panic, pleading for one of her ceramic bird sculptures in turquoise to give to my mother-in-law. Luckily, I’m meeting Moynihan today to make the purchase.
Moynihan describes her ceramic bird sculptures as focusing on life — tender, whole, and new. The minimalist birds are soothing and serene, with graceful silhouettes, clean lines, composed posture, and pleasing proportions. Each takes Moynihan hours to make (even the smallest ones), since she hand builds each one using the coil method, then carefully examines each bird, scraping and shaving off the irregularities on the surface until the form is flawless.
Cathy Moynihan studied sculpture at the Appalachian Center for Crafts in Tennessee and earned Art Education Certification from Massachusetts College of Art.