Design Diary: A Condo Built for Wine

For last year’s Boston Globe Magazine Kitchens & Baths issue, I profiled one of the more interesting projects I’ve researched—a condo for which the starting point was the homeowners’ wine collection. Designed by Thomas White of  ACTWO Architects and built by Merz Construction, this 2,100-square-foot three bedroom in a high-rise overlooking Boston Common obviously did not come with a wine cellar. Here’s a detailed look, photographed by Greg Premru.

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The entry area is defined by the same tile used in the kitchen, a ceramic tile by Tau that resembles Corten steel. To the right, interior designer Manuel de Santaren, whom the couple had worked with on prior projects, suggested cutting a five-inch deep niche for their Fornasetti screen, which was purchased by the husband’s mother in the 1950s. To the left is the hallway with the wine. Straight ahead is the dining area, partially concealed by a fixed metal screen.

The “Athos” dining table by B&B Italia are from Montage in Boston. The “Lirica” chairs by Domitalia are from Italian Interiors in Watertown. The Light blue wool rug with gold silk pattern is from Landry & Arcari in Boston. The light fixture is the Artemide Triple Linear Logico Classical.

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Wanting a textured, transparent material other than glass, White devised a curtain of stainless steel rings that’s normally used in commercial applications, like cladding on airport facades. He brought in Jonathan Merz of Merz Construction early in the process, and they collaborated on the installation, using stainless parts they had had specially fabricated. 

The photograph at the end of the hallway, by Victor Schragar, pictures books in varying stages of focus, wrapped in paper to resemble color fields. The couple purchased it from the Bernard Toale Gallery in the South End. They refinished the existing oak floor in medium brown. 

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The homeowner wanted to be sure that displaying the didn’t come off as ostentatious, or look like a bar at a trendy restaurant. White offered this wine storage solution: an illuminated wall of wine with floor-to-ceiling glass sliding doors that could accommodate almost 30 cases of wine. It became the starting point for the overall design of the home, and its focal point.

After experimenting with costly custom ideas for what would hold the wine bottles, they chose an off-the-shelf metal rack that the homeowner found online.

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White says, “We realized that illuminating the bottles could be artistic, and decided to make a whole wall glow.”  When the doors are rolled shut, it’s not obvious what’s behind there. The homeowner says that it takes a while before people realize it’s wine. As for the mesh screen, he says, ‘“At night, light skims down the screen, transforming it into a sparkly wall.”

Lighting is at the top, behind a white pre-finished aluminum panel. There’s also a small exhaust fan that ventilates the heat that builds up from the lights. They took great pains to hide the ventilation, ducts, lighting, etc. and to be sure there were no unsightly shadows. Handles are stainless steel inset in the glass.

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Standing in the kitchen, looking towards the entry. Waterfall countertop is a buttermilk shade of Caesarstone.

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Since it’s visible from the entire home, they wanted to create a sleek kitchen that didn’t necessarily look like a kitchen. They chose white laminate glass for the backsplash, adding LED lighting behind it, so at night it would glow like the wine cabinet. Merz handled the tricky technical end of all that. The homeowners got the idea for floating shelves above the counter from the SieMatic showroom, where they purchased the cabinetry.

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View of the wine cabinet, and the pantry beyond. The pantry houses an extra oven, microwave, and extra storage for dishware.

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ACTWO designed built-ins for the living room, finished in rosewood and white gloss laminate. The homeowners collect colorful glass pieces displayed on the floating shelves.

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The condo has a great city view, overlooking the Boston Common.

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Since the homeowners are empty nesters, the two other bedrooms are his and hers offices, which also function as guest rooms.

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More great built ins; note the vertically-oriented cubbies for the books.

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The homeowners on the cover of the 2013 Globe Magazine Kitchens & Baths issue.
Read more about them and the project in my article “Beauty and the Bottle.

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Design Diary: A Boston Patio Inspired by Majorelle Gardens

Another oldie but goodie from the Boston Globe Magazine archives. In October 2009, I wrote “Kind of Blue,” about a Beacon Hill patio redesigned for outdoor entertaining, inspired by the homeowner’s trip to Morocco; Majorelle Gardens to be exact. This well-traveled 50-something hired Brian Feehan to transform her 10-by-17-foot outdoor space when she returned from her trip. He wondered how he would cram a 20-foot reflecting pool in there, but with a flair for the dramatic (Feehan is actually a director and choreographer), he managed to eke out a bit of paradise in the historic neighborhood.

I N S P I R A T I O N 
Jardin Majorelle   •   Marrakech

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Majorelle Garden was designed by the painter Jacques Majorelle in 1924 and revived by fashion designer Yves Saint-Laurent and his partner, Pierre Berge, in 1980. Feehan took cues from the distinctive cobalt blue accent color, Moorish latticework, lush greenery, and fountain.

B E A C O N  H I L L  P A T I O
Designed by Brian Feehan

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Feehan replaced the existed rotted wood deck with a mahogany-stained ipe deck and painted the existing lattice matte black. He added a trio of of 6-inch-wide horizontal wood strips in cobalt blue around the perimeter. The slats add color, and the homeowner can hang votives and flowerpots from them.

For additional interest and color, Feehan hung a pair of antique Chinese doors found at SoWa showroom Mohr & McPherson. The scale and shape mimic the French doors on the opposite wall, and provide a focal point when one steps onto the patio from the house.

The blue mosaic tile you see in the background is a fountain. More about that below. Look closely, there are mirrors on either side of it, which extend the feel of the space.

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Feehan created a mosaic glass tile wall fountain that’s eight-feet high.  Water runs down the surface, which is covered with tiles in different sizes and thicknesses. It’s uplit, creating a glistening, otherworldly effect in the evening, and sounds lovely too. The water collects at the bottom in a cobalt-colored trough that runs the length of the brick wall.

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Moroccan style tiles are affixed to the gate, adding more flavor.

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The patio is accessed from the condo by French doors.
Don’t you wish she’d invite you to a cocktail party?

B E F O R E 

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Design Diary: Erin Gates’ Parents’ Connecticut Garden

When I’m looking for specific types homes to pitch to magazines, I send emails to my design contacts. When I’m looking for gardens for the Boston Globe Magazine gardens issue, I expand my reach to friends. Not being what you’d call a green thumb (ha), my landscape design contacts are hardly far and wide. We scout and shoot a year ahead, so if you have New England gardens to suggest, send me snapshots!

This year I wrote about three gardens, including designer/Elements of Style blogger Erin Gates’ parents’ gorgeous garden in rural Connecticut. I was psyched when she sent me photos and that the editors liked them. We loved that her mom works on the entire thing herself, tractor and all. She’s so sweet and humble about it; it’s really beautiful. Erin’s dad designed the house and her mom designs and tends the various gardens and plantings around the property.

The story is called, “Down in the Meadow” if you want to read it. Here are lots of pictures, including ones that weren’t published. All photography by Sarah Winchester.

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Design Diary: Color Theory Brings a Suburban House to Life

Boston-based interior designers Brad Dufton and Kendra Amin-Dufton, the husband and wife duo behind Color Theory (of Apartment Therapy Small Cool fame in 2009), recently finished a top-to-bottom project on a house in Winchester, which I wrote about for the Boston Globe Magazine. The story, “Against the Gray,” details the process of and relationship between the designers and clients on their journey in creating a color-filled home. Note that Color Theory did it entirely from retail sources, so if you’re interested, re-creating the look is within easy reach.

Living Room Designed By Color Theory

 Photo by Michael J. Lee

Funnily enough, although the clients wanted color, Brad went with gray paint throughout the house. It makes a great backdrop for the saturated furnishings. Above, in the formal living room, he used a relatively dark shade, Benjamin Moore “Rock Gray.”  Brad says, “Formal spaces benefit from darker colors; it decompresses your energy, makes you want to stay longer for conversation.” This is one of three rooms in the house that he tags as moody.

Indian rug from Mohr & McPherson in Boston;  “Fillmore” sofa from Thrive; barley twist chairs from Zimman’s near Boston, upholstered in “Prospect” ikat by Thom Filicia for Kravet; starburst mirror from Zimman’s; coffee table from Horchow.

Farmily Room Designed By Color Theory

The family room, above and below, is huge. The walls are a lighter gray, Benjamin Moore “Wales Gray.” (By the way, Brad started out as a professional painter; he swears by and only uses Benjamin Moore, preferring its Regal Select line with a matte finish.) They used a three-dimensional, dried black lava stone tile for the fireplace surround. He calls the handmade, Brazilian chevron cowhide rug, from PureRugs, a “god-like” material, saying, “Everything and anything washes out of it.” Chairs from Circle Furniture; trio of acrylic tables from Wayfair.

Farmily Room Designed By Color Theory

A 14-foot-long Flexform sofa from Showroom in Boston dominates the main portion of the family room. Thomas H. Little Upholstery in Southboro, MA crafted the round ottomans and throw pillows. As for the juju hat installation, the client, who is from Congo, had the orange one. Brad and Kendra asked her to bring back “as many as she could carry” went she went to Africa to visit her mom. They admit they had no idea what they’d do with them all, but in a fit of inspiration, they clustered them on the wall

Sunroom Designed By Color Theory

Photo by Michael J. Lee

The sunroom boasts an amazing collection of indoor/outdoor pieces by Paolo Lenti from Montage in Boston. The sofa is actually three individual chairs that can be moved around (or dragged out to the deck). They originally purchased the ensemble for the basement playroom, but in an Aha! moment, Kendra realized they’d be perfect for the sunroom. The indoor/outdoor rug was a steal for $150 at RugsUSA, a welcome addition after the splurge on furniture. Continuing the high/low mix, there’s also a “Martini” side table from West Elm and a trio of cage pendants from CB2.

Lighting Designed by Color Theory

In the stairwell, nine brass and stainless steel pendants with rope cords and Thomas Edison filament bulbs by Lunabella, purchased at Zimman’s. We hear the electrician was none too pleased to have to hang them all.

Lighting Designed by Color Theory

Bedroom Designed by Color Theory
Photo by Michael J. Lee

The master bedroom is done in a glamorous scheme of black and magenta, with Benjamin Moore “Rock Gray” on the walls. The bed, which the clients first saw in an apartment they rented in Paris, is B&B Italia by Max Aalto, purchased from  Montage in Boston. It’s black-stained wood, with a gray tweed upholstered headboard and platform. The ottoman is West Elm and the ikat rug from Wayfair.  The Horchow fainting chaise came in gray velvet, but Brad and Kendra had it reupholstered in a magenta fabric by Iman for Kravet that they’d had their eyes on for years.

Boudoir Designed By Color Theory
 Photo by Michael J. Lee

The client was hot for a vanity. Brad and Kendra couldn’t find one they loved, so they pieced together its components using the Jonathan Adler “Channing” console, an inexpensive acrylic chair, curvy “Cattaneo” mirror from Horchow, and chrome sconces with black shades from Lamps Plus. I love the Senegalese storage basket from Serena & Lily, presumably used as a hamper.

Bathroom Designed By Color Theory

The master bath is done with a 3D tile on the floor, inspired by Manhattan bathrooms of the 1920s, and staggered oversize marble tiles on the wall. The egg-shaped tub was a splurge, and caused a bit of a ruckus with the plumber, but they finally got it right.

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 Photo by Michael J. Lee

The client, pictured here, is expecting a baby. Luckily, they were able to use all the pieces from her now two-year-old’s nursery from their prior home to create a new gender-neutral nursery. The walls are a grayish blue, Benjamin Moore “Sterling.”  The chartreuse lacquer dresser is the “Latitude” from CB2, the sleeper sofa from Room & Board, and the crib is Stokke. The stuffed animals are from Africa and the animal photographs purchased online from The Animal Print Shop, finished in frames by Room & Board. The chevron rug was created from FLOR carpet tiles. The cuckoo clocks over the crib were Brad & Kendra’s (you may recognize them from their living room), purchased a while back for 99 cents each at Urban Outfitters.

Guest Room Designed By Color Theory

The guest room, above and below, is done in the punchy black and white “Feather Fan” wallpaper by Cole & Son. “Wood Tiled” whitewashed dresser from West Elm; assorted carpet tiles by FLOR.

Guest Room Designed By Color Theory

“Window” headboard from West Elm and “English Garden” comforter set from Target.

Color Theory Girls Bedroom Boho

Finally, the daughter’s bedroom is done with a hippie chic, boho bibe, in a slight departure from the rest of the house. Brad says, “I want her to feel like she is carried to a far away land when she steps in.”

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Serena & Lily Girls Bedrooms

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Get the Look: 40 Pieces from Boston Jewelry Designers

For this season’s Style issue of the Boston Globe Magazine, in addition to a few profiles of Boston’s Most Stylish (friend and art/science documentary producer Alberta Chu, jewelry designer/computer scientist Jessica Rosencrantz of Nervous System, and Deborah Z. Porter Founder and Executive Director of the Boston Book Festival), I also wrote “Jewelry’s Big Moment.”  The spread includes nine pieces from wonderful, emerging local jewelry designers. With Mass Art and the SMFA in town, (not to mention RISD in nearby Providence, but that’s a whole other post) the artisan jewelry scene is absolutely thriving. Below are additional works from the featured artists, as well as a number of local metalsmiths that we didn’t have room to feature in the magazine. Lots of talent!

 

Boston Jewelry Designers

 

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S H O P P I N G

1 Petra Seibertova Nest Earrings, $50 at MassArt Made.

2 Ripegoods Rain Drop Hoop Earrings, $78.

3 Dev Bennett Three Dot Studs, $32 at 13 Forest.

4 Lauren Passenti Fish Jaw Bracelet.

5 Hannah Blount Barnacle Ring, $198.

6 Petra Seibertova Disc Cup Earrings, $340 at MassArt Made.

7 Little Pancake Stamped Triangle Necklace, $36.

8 Nikky Bergman Deer Antler and Leather Amulet.

9 Dev Bennett Geometric Solid #1 at Cambridge Artists Coop.

10 Sophie Hughes Slit Drop Chain Earrings, $240 at Fire Opal.

11 Sasha Walsh Ring, $360 at MassArt Made.

12 Becca Straus Maria Feather Necklace at Michele Mercaldo.

13 Alison Storry Rose Gold Heart Charms Necklace, $44 at Etsy.

14 Iolyte Stackable Ring, $340 at M. Flynn.

15 Dev Bennett Small Metropolis Necklace, $150.

16 Sasha Walsh Stackable Crystal Ring, $56 at Wicked Peacock.

17 Lauren Passenti Claw Necklace, $87 at MassArt Made.

18 Marissa B. Orchid Blossom Earrings, $62.

19 Sasha Walsh Druzy Ring, $220 at MassArt Made.

20 Julia Groos Halo Designs Gold Bead Ring, $220.

21 Beatrice Kim Karung Watersnake Cuff at Good.

22 Sasha Walsh Cuff, $330 at MassArt Made.

23 Hannah Blount Raw Crystal Brass Ring, $88.

24 Dev Bennett Four Post Earrings, $56 at 13 Forest Gallery.

25 Bree Richey Gondola Earrings.

26 Leah Meleski Infused Series Earrings

27 Lauren Blais Garnet Spire Studs, $210.

28 Nikky Bergman Hannah Bangle, $160 at MassArt Made.

29 Leah Meleski Recycled Impurities Earrings.

30 Monique Rancourt Small Granulation Ring, $200.

31 Monique Rancourt Cuff at Society of Arts & Crafts.

32 Lindsay Minihan Felt Bud Earrings, $120.

33 Filomena Demarco Double Feather Earrings, $95 at 13 Forest.

34 Monique Rancourt Feather Series Necklace, $400.

35 Sophie Hughes Razor Shell Earrings, $290 at Fire Opal.

36 Beth Solomon Ring at Alchemy 925.

37 Rachel Pfeffer Hearts on a Wire Ring, $88 at Wicked Peacock.

38 Joyo Small Squares Necklace, $50 at Wicked Peacock.

39 NYX Studio La Damme Earrings, $190 at Wicked Peacock.

40 E. Scott Originals Topaz Stud Earrings, $60 at Wicked Peacock.

 

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 Read “Jewelry’s Big Moment” in the Boston Globe Magazine here.

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