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ARTmonday: The Art Bus


Now you’ve pretty much got no excuse for not checking out the art scene.

This past weekend, the Boston Art Dealers Association launched The Art Bus, a free shuttle between the Newbury Street and South End art districts.

The bus goes between the Back Bay and South End free of charge from noon to 4pm on the first Saturday of the month from through June, and will start up again in September.

The bus  runs a continuous loop making stops at:
• Thayer Street at Harrison Avenue
• Newbury Street at Berkeley Street (in front of the Church of the Covenant)
• Newbury Street at Dartmouth Street (in front of Fitz Inn parking lot)

Each ride requires a pass. Passes are free and are available at all BADA member galleries.

All aboard!

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ARTmonday: Gurari Collections

This winter when I was checking out the galleries and shops in the newly converted 1880 mill building now known as 460 Harrison Ave. in SoWa, I wandered into  Gurari Collections, which bills itself as a gallery for antiquarian contemporary arts. An intriguing label and fitting.

Its focus is at the intersection of art and science, featuring etchings, engravings, drawings, watercolors, paintings, and interesting objects borne from architecture and design, urbanism, the human figure, fantasies and follies, and science and the allied arts. The gallery is basically a walk-in curio cabinet.

A few days ago, gallery owner Russ Gerard contacted me, inviting me back for a visit. I shall certainly go sometime soon, and take photos, but in the meantime, I thought I’d share images from his website.

Column Capital Frontal – Wendy Artin
watercolor

Cetaceous – Mollie Goldstrom
etching

Calderum Motorim – Vico Fabbris
charcoal

Perspective 39 – Jan Vredeman de Vries
engraving

Fountain 31 –  Georg Andrea Bockler
copperplate etching-engraving

Plan De Paris, 1739 – M.E. Turgot, Louis Bretez, Claude Lucas and Aubin
20 copperplate engravings

English Victorian Adjustable Zograscope

Crookes Tubes and Radiomete

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Fine Print: FLAIR Joe Nye

Los Angeles interior designer and party planner Joe Nye has put together his first book, Flair: Exquisite Invitations, Lush Flowers, and Gorgeous Table Settings (Rizzoli, April 2010). The table settings are beautiful. Almost makes me want to entertain. Definitely makes me want to shop for pretty china.

Handmade chargers in the Palladian pattern from Isis Ceramics Ltd., black bamboo flatware by Juliska, black water goblets and a chinoiserie-style tablecloth. More images from this table below.

Joe Nye

Upper left: Singerie-inspired invitations and little favor boxeds wrpapped in fuchsia ribbon. ( Singerie is the French word for “Monkey Trick”. It is a genre depicting monkeys apeing human behavior, often fashionably attired, intended as a diverting sight, always with a gentle cast of mild satire.) Upper right: Black bamboo flatware from Juliska. Lower left: A chinoiserie-styleparty table setting. Lower right: A prfusion of pink carnations in a silver mint julep cup.

Left: Contemporary Chinese Chippendale chargers paired with charming antique chinoiserie-style floral china and pretty aqua finger bowls. The natural wood handles of the bamboo flatware brings out the yellow and green tones in the plate. Right: Purple floral Mottahedeh dessert plates sit atop Charlotte Moss’s treillage pattern dinner plates. Green hydrangeas and amethyst goblets play up the green and purple theme. 


Above: Red, printed silk-toile tablecloths, and blue and red glassware from Cost Plus World Market mix nicely with fancy sterling silver and Blue Canton dinner plates. The red lantern is a fun centerpiece. A single flower on the napkin dresses up the plate.

Left: A mélange of blue-and-white ceramics mixed with yellow gladioli and oncidium orchids dress up the sideboard.  Right: The blue and yellow theme is carried over to the table, with blue water glasses, inexpensive bunches of yellow chrysanthemums and single yellow Fuji mums placed in teacups. The dinnerware is Torquay from Mottahedeh. Like the flowers, the cobalt blue-handled flatware provides an informal touch.

All images by Los Angeles-based photographer Edmund Barr. Courtesy of Rizzoli International.

For more table wisdom and photos, see my interview with Joe Nye on eBay’s style trends site,  “The Inside Source.”

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Filed under . REGULAR FEATURES, Designer Spotlight, Fine Print, Food & Entertaining

Montage: 43 Kid Rooms

Following up on Friday’s post about Susanna Salk’s upcoming book Room for Children: Stylish Spaces for Sleep and Play (Rizzoli), I’ve curated some of my favorite images of spaces for kids. At the end of the post, I’ve included links to my previous kid room posts. Definitely inspires me to at least clean up, if not redecorate.

Philip Gorrivan

via Apartment Therapy

Atticus & Milo

Jeffrey King

Amie Weitzman

Amie Weitzman

Sixx Design

Bolig Magasinet

unidentified

Lisa Mahar

Steven Gambrel

via Apartment Therapy

via Desire to Inspire

Marjorie Skouras

Hamilton Design Associates

Steven Gambrel

via Apartment Therapy

Bonesteel Trout Hall

Robyn Karp

Brad Ford

Amie Weitzman

Amanda Nisbet  |  Photographer Louis Lemaire

Katie Lydon  |  via Desire to Inspire

Unidentified  |  Elle Decor

Digs by Katie  |  Unidentified

Beach Studios  |  Country Living

via Desire to Inspire  |  Katrine Martensen-Larsen

Stylist Leslie Siegel  |  unidentified

Sixx Design  |  Sixx Design

Delphine & Reed Krakoff | Fawn Galli in Domino

ARA Design Studio |  via Alkemie blog

via Apartment Therapy  |  Scott Sanders

For more gorgeous rooms for babies and kids, have a look at my past Montages:

Nurseries *
Bunk Beds *
Two Beds, One Room *
Bed Curtains & Canopies *
Sweet Dreams in Pink Bedrooms *

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ARTmonday: Carlos Estrada-Vega

I discovered the works of Mexican-born, California-based contemporary artist Carlos Estrada-Vega at Ernden Fine  Art Gallery in Provincetown. His three-dimensional chunks of color are so satisfyingly saturated and rich, like high quality Cray-Pas. In fact, many of the works are created from a mixture of materials that may well produce an oil pastel effect on paper. The paintings consist of tiny square pegs of wood, usually no larger than one inch in diameter, which are individually painted with pure pigment and then attached with a small imbedded magnet on the back to a steel plate. The effect is quite tactile; very much like a modern children’s toy you might find at an art museum gift shop. Here are some examples of his work:

Bonita Carter #43-III, 2008
Oleopasto, wax, pigment, oil & limestone (8″ x 8″)
Margaret Thatcher Projects, NYC

Walt,  2005
Wax/Oleopasto/Oil/Pigments on Canvas on Wood with Magnet Inserts attached
to a Metal Plate (10″ x 10″)
Roy Boyd Gallery, Chicago

Procopio, 2008
Wax/Oleopasto/Oil/Pigments/ Limestone Dust on Automotive Primer on Wood with Magnet Inserts attached to a Metal Plate (33.25″ x 33.25)
Roy Boyd Gallery, Chicago

Bo’quecito, 2008
Wax/Oleopasto/Oil/Pigments/Limestone Dust on Automotive Primer on
Wood with Magnet Inserts attached to a Metal Plate (36″ x 36)
Roy Boyd Gallery, Chicago

Saulito, 2008
Oleopasto, wax, pigment, oil & limestone (6″ x 6″)
Margaret Thatcher Projects, NYC

Working Drawing #6, 2007
oil, wax, oleopasto, limestone dust, and pigments on panel (12 x 12 x 1″)
d.e.n. contemporary, Beverly Hills

Güerita, 2008
Wax/Oleopasto/Oil/Pigments/Limestone Dust on Automotive Primer on Wood with Magnet Inserts attached to a Metal Plate (8.25″ x 8.25″)
Roy Boyd Gallery, Chicago

Maceo, 2005
Margaret Thatcher Projects, NYC

Working Drawing #8, 2008
Oleopasto, wax, pigment, oil & limestone (5″ x 5″ x 1″)
Margaret Thatcher Projects, NYC

79 squares
oil, wax, oleopasto, limestone dust and pigment on canvas on wood
Artnet.com

Stephanie’s, 2008
Oleopasto, wax, pigment, oil & limestone (8″ x 8″)
Margaret Thatcher Projects, NYC

Caridad, 2007
Wax/Oleopasto/Oil/ Dry Pigments on Canvas on Wood with Magnet Inserts attached to a Metal Plate
(17.5″ x 17.5″)
Roy Boyd Gallery, Chicago

Working Drawing #9, 2008
Oleopasto, wax, pigment, oil & limestone (5″ x 5″ x 1″)
Margaret Thatcher Projects, NYC

Paulita, 2004
Elizabeth Leach Gallery, Portland, OR

4 x 4 = 17
Wax, limestone dust, oil, pigment on canvas on wood (16.3″ x 16.3″ x 1.4″)
Conny Dietzschold Gallery, Sydney

Untitled, 2003
Ölkreide, Wachs, Pigment, Öl und Kalkstein auf Papier (9″ x 9″)
Art Forum Ute Barth, Zurich

Annemie, 2004
Limestone and wax on wood on metal (7.9″ x 7.9″ x: 1.2″)
Conny Dietzschold Gallery, Sydney

Working Drawing #5, 2007
Oleopasto, wax, pigment, oil & limestone (12″ x 12″ x 1″)
Margaret Thatcher Projects, NYC

Aria II, 2008
Oleopasto, wax, pigment, oil & limestone (8.25″ x 8.25″)
Margaret Thatcher Projects, NYC

Kazan, 2006
oil, wax, oleopasto, limestone dust and pigments on canvas on wood (38 1/2″ x 38 1/2″)
d.e.n. contemporary, Beverly Hills

Topside view of the cube, Carlitos, 2008
Margaret Thatcher Projects, NYC

Untitled Drawing, 2003
Oleopasto, wax, pigment, oil & limestone (9″ x 9″)
Margaret Thatcher Projects, NYC

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Filed under . REGULAR FEATURES, Art Monday