Swatching: Mod Green Pod

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Here’s another textile profile from “Designing Women” that I wrote for Stuff Magazine. You’re no doubt familiar with this company – Mod Green Pod – especially the signature butterfly print, which was their very first design. Here’s their story.

When textile designer Nancy Mims mentioned to her sister-in-law, Boston-based Lisa Mims, that she was thinking of creating an organic cotton fabric line, Lisa, who had just quit a consulting job, hopped on a plane to brainstorm with Nancy at her home in Austin, Texas. Mod Green Pod was born at a picnic table in Nancy’s backyard. Their first collection was launched a year later, in spring 2006, with the funky and flirty signature print “Butterfly Jubilee.” Today, the company produces eight patterns, including Clara and Atticus, named after Nancy’s children. (There used to be an Adelaide print too, named after Lisa’s daughter, but that pattern was retired.)

This month Mod Green Pod launched a line of organic cotton solids in colors that coordinate with the prints.

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Nancy, who is the company’s creative director (Lisa serves as a sometime consultant from her home in Beacon Hill), recently came up for air after three frenzied weeks spent churning out 35 new designs, only three of which will make it into the next collection. The designs are all printed with non-toxic pigments on 100% certified-organic cotton grown in the United States. A recent visit to textile mills has motivated Nancy to continue to produce domestically. “My dream is to help our old mills go green and revive production in the US. We could bring back jobs and clean up the textile industry at the same time,” she says. As for other visions, Nancy would like to see the fabrics used in Malia and Sasha Obama’s rooms in the White House. She reasons, “Sasha is my daughter’s age, and I think she’d love the hot pink colorway with the butterflies. It’s US-made and organic, and since she has allergies, she needs clean, green décor.”

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I recently purchased a few yards each of these fabrics to make pillows and cushions for my sofas and benches in Cape Cod.

mineAspire in Peppercorn / Atticus in Sprout / Glimmer in Water


I love the totes too.tote


Get the Look: Mudrooms

Everything you need to get organized when you come from out to in: hooks, key holder, magnet board, bench, coat rack, umbrella stand, letter organizer, and more . . .

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Shopping Guide

Wallter Slat Rack, $145 at Design Public.

Thorsten van Elten Antler Hook by Alexander Taylor, $130.00 at Greener Grass Design.

Bird Silhouette Hook, $6 at Urban Outfitters.

Vesto Key Holder by Blomus, $92 at Unica Home.

MARIUS Stool, $5.99 at IKEA.

Freeform Accordion Hook, on sale $19.99 at Urban Outfitters.

Simple Felt Basket, $150-$250 at DWR.Twist Coat Rack, $400 at DWR.

Twist Coat Rack, $400 at DWR.

Offi Box Bench by Eric Pfeiffer,$399 at Modern Seed.

Blow-Up Umbrella Stand by Alessi, $250 at Alessi.

Centipede Letter Wall Organizer by Adam und Harborth, $125 at Nova68.

Big 5 Modern Coat Rack by James Irvine, $250 at Nova68.

Arrow Hook by Design House Stockholm, $42 at Fitzsu.

TJUSIG Bench, $79.99 at IKEA.

Light Switch Rack by Paul Koh, $25 at MOMA Store.

Eames Hang-It-All® by Charles and Ray Eames, $199 at MOMA Store.

BluDot 2d:3d Coat Rack, $89 at Design Public.

Ivy Umbrella Stand, $240 at Zwello.

Muuto Dot Hooks, $198/set of 5 at A+R.

Tree Coat Stand by Michael Young, $895 at Nova68.

Runway Mirror, on sale $64 at Chiasso.

Lunar Hooks by Barber + Osgerby for Authentics, on sale $12/set of 4 at Unica Home.

Wire Newspaper Rack by Willi Glaeser, $55 at MOMA Store.

Modular Cubes by Way Basics, $120/set of 6 at Zwello.

Cycloc Modern Wall Bike Rack by Andrew Lang, $129 at Nova68.

BESTÅ Storage Bench on casters, $180 at IKEA.

TJUSIG Hat and Coat Stand, $49.99 at IKEA.

ARTmonday: Anne Packard

Anne Packard is the quintessential Cape Cod painter. She creates beautiful, luminescent landscapes in oil. Unlike a lot of examples in the genre, her works are skillfully exquisite. The best place to view Anne’s work is in Provincetown at the Packard Gallery, a charming converted New England church. She shares the space s with her daughters, painters Cynthia Packard (read my blog post on Cynthia here) and Leslie Packard. The Packards descend from a long line of painters, which include Anne Packard’s grandfather, Max Bohm, who is a well-known Impressionist painter who went to Provincetown back in 1916.

Below is an oil painting by Anne Packard that my husband and I purchased a few years ago. It hangs over our living room fireplace. (Sorry for the inexpert photographic quality). I have also been loving browsing through her newest coffee table book, Anne Packard: Introspective (Skylark Press, $95), that her very kind publicist left on my doorstep (literally). Scroll down for a sampling of her works.

our anne packard

TurquoiseSeascapeTurquoise Seascape

stormybeachStormy Beach

TwoDoriesTwo Dories

AdriftAdrift

SeasideSeaside

ASummerPlaceA Summer Place

GreenDorynGreen Dory

EmptyChairEmpty Chair

pack portAnne Packard

Design Diary: John Stefanon at FP3

I first came across the design studio of John Stefanon earlier this year at at SoWa Open Studios, when I wandered into JFS Design Studio amidst the galleries at 450 Harrison. I loved the spare, earthy look, and John was so welcoming. I’ve since had the opportunity to profile his work a couple of times. Most recently, I wrote about Studio 210, a model apartment at FP3 in Boston’s Fort Point neighborhood, for Stuff Magazine – “Designer John Stefanon redefines one-room living in Fort Point.”

Studio 210, FP3_DSC3228cPhoto courtesy of FP3

This is the second model apartment Stefanon was asked to design at FP3, a sleek 92-unit loft building in Fort Point. While the first one (which I’ll do a post on too, at some point), has multiple rooms, over-sized windows, and lots of light, this is the most challenging unit in the building — a second-floor studio with no view.

The directive was to help would-be buyers conceptualize how to make the most of a studio. Stefanon needed to show how one can fashion a single room into a living space that functions well for both entertaining and private time, while remaining organized and, of course, stylish. No problem.

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The 671-square-foot space is divided into four areas — entry, dining, living, and sleeping.

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lobbyPhoto courtesy of JFS Design Studio

Stefanon designed the vestibule to be the snazziest area. “In an unfinished unit, people go right to the window,” he says. “So we created an interesting entry in hopes they would stop, think, and take it all in.” And, formalizing the entry not only ensures that guests savor their first moments here, but defines the entry as its very own space.

The Tibetan wool Paul Smith “Swirl” rug by The Rug Company certainly made me stop in my tracks. Love, love, love. He covered the entry wall in Braille Wall Flats by Inhabit Living. The textured panels are both eco-friendly (they’re made from 100% molded bamboo paper pulp) and inexpensive($86/10 tiles that cover 22.5 square feet). To evoke a sense of outdoors, Stefanon painted the ceiling a moody, neutral blue (Benjamin Moore Wedgewood Gray HC-146). Above a clean-lined custom console table that’s perfect for mail and keys, he hung a convex mirror by Reflecting Design that reflects the space beyond.

Stefanon further differentiates the vestibule from the main living area by lining the interior frame of the portal with custom walnut panels stained to match the finish of the unit’s door. The detail is a nice touch — “It makes people feel like they’re about to walk into somewhere special,” he says.

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kitchenPhoto courtesy of JFS Design Studio

The kitchen is the standard kitchen for the units. Stefanon says, “By adding an interesting entertaining area in front of the kitchen, not just about the kitchen anymore.” The drum pendant, which hangs from a chrome rod is by Tango Lighting.

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“The kitchen,” Stefanon says, “is not just about the kitchen. It’s also a place for entertaining.” The long, rectangular table by is on wheels, so it can function as a dining table, an island, or a buffet, or be pushed out of the way altogether. The rattan-backed mahogany bench by The Home Port adds a tailored touch to the utilitarian table, while the chain-mail chairs by infuse an industrial edge reminiscent of the building’s warehouse origins. The screen, also by Design Workshop, separates the kitchen from the sleeping space.

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The development company had initially requested that Stefanon incorporate a Murphy bed into the design, but he felt the look was too typical. Instead he opted for a more artistic approach. Drawing on the neighborhood’s artsy identity, Stefanon designed an oversized headboard constructed with art frames around the perimeter of an upholstered inset of tufted outdoor chenille from Glant Fabrics‘ The Modern Collection. Stefanon considers the headboard an art piece, since there isn’t much room for actual artwork on the walls. The custom duvet is made from Calvin Fabrics. On the bed he used a single large pillow, in a leafy Schumacher print, for maximum impact and minimum fuss. (For Bostonians looking for a workroom you can trust – Stefanon uses Finelines in Peabody.)

The small dresser Stefanon uses as a nightstand is a custom design in an antique white crackle finish with stainless hardware (the same as the entry console). On the other side he thoughtfully incorporates a desk, another custom piece, fabricated in acrylic “so it doesn’t clutter the space.” The leather desk chair, which has an interesting silhouette, is from Italian company Arper. The lamp is a one-of-a-kind piece made from industrial parts and hand blown glass.

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lr2Photo courtesy of FP3 (detail)

Instead of a sofa, Stefanon outfitted the living area with four chairs. He points out, “A sofa seats three, but nobody wants to be in the middle. This way is more user-friendly.” The French Provincial–style chairs by Eloquence are upholstered in natural muslin. They are sophisticated, yet casual and comfy, and are adorned with colorful pillows by Megan Park, from Calypso Home. The table, a custom design in a cerused oak finish, is rustic enough to put your feet on. The jute rug, from Stark, is equally practical. For additional seating, the bench from the dining table can be pulled over.

Curtains in hung on either side of the space as if they are one big window, are neutral, and tie the space together. They go to the floor and have a cotton tape along the bottom, for interest. Stefanon hung art on brick even though it gets hidden when drapes are drawn.

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tvPhoto courtesy of JFS Design Studio

Across from the bed is another custom crackle cabinet. Stefanon hung black & white beach photos by Roy Barloga above because “everyone knows that’s where you’d put the TV, so I did something more artistic.” The sculptures are old helmets on stands

“The goal,” he told me, “was to make every living area special, without overdoing it,” The key to achieving this balance? A lot of editing. Good advice for those confined to one-room living. Stefanon confided, “Somebody saw this the day after I finished it and bought the studio directly above.”

Want more?

Video tour of Studio 210 with John Stefanon: NECN/styleboston: A Hot Spot in Fort Point