Category Archives: Design Diary

Design Diary: Local 186 in Provincetown

Despite the 90+ degree heat, we ambled (ok, drove with the A/C blasting) into Provincetown yesterday, having promised the boys a trip to the Penny Patch and Puzzle Me This. The allure for us was the chance to try out the new upscale burger spot at 186 Commercial Street, Local 186. It’s a new venture owned by Eric Jansen and Guillermo Yingling. Eric co-owns the superb restaurant Blackfish in Truro, where many a summer night you can find us at the bar.  Anyway, the burgers, fries, and onion strings were tasty, but the real surprise was the decor. It is crisp but homey and very pulled together. I haven’t had a chance to connect with anyone to find out who’s responsible, but I did take a bunch of photos for you.

ADDITION: This morning I heard back from GM Jennifer White (thank you!), who provided me with many, many details, which I used to caption the images. She says, “It was a collective local effort. Every piece is all made by local artists with reclaimed woods and other vintage materials, all collected from old Provincetown properties.” They goal was for it to look new and different, eclectic, layered, and collected, but not over the top. It’s right on.

Susie Neilsen, graphic designer and owner of Farm Gallery in Wellfleet helped with the overall design concept and layout. She also designed the logo, menu, and website.

The murals are by artist Kris Smith, owner of Coastline Tattoo, in town.

Mat Millett, owner of Helltown Gallery, with the help of Tom Magar (the bartender and an off-season carpenter), made the custom tables in the back dining room and  the vintage tin-covered bar back.

The onion strings, served in a shiny metal tin, where extra salty and delicious.

Another shot of the back dining room banquette table.

All the dining chairs are covered with vintage feed and flour sacks that Jennifer White found on eBay and other sites.

All the designs are different.

A local craftsman named Michael made the barn wood coffee tables in the lounge (above) and hostess podium, as well as the copper artwork and reclaimed ductwork.

One of the coffee tables in the lounge has a built-in Ouija board.

Bartender Edwige.  Industrial lighting over the bar came from a warehouse in Yarmouth.

A niche in the entry that looks through to the bar is filled with cocktail paraphernalia.

Waiting area.

My lunch: The Old-Fashioned—8 oz. Painted Hills burger, Nueske’s bacon, Grafton Reserve cheddar, $14.

Co-owner Gui Yingling arranged a collection of vintage knives over the fireplace in the back dining room.

There are a couple of different vintage animal sculptures,from yard sales ,flea markets, and auctions are mounted on the walls.

Bar-style seating on the front patio.

Architect Steven McGovern designed the new covered porch, in keeping with the design of the original Victorian building. Local craftsman and master carpenter John Badam and his team built it.  You can’t see them in this photograph, but there are flying saucer style lamps that co-owner  John Yingling had stored in his garage for over 20 years, knowing they’d come in handy someday.

The view—Cape Cod Bay—from the covered porch. It’s visible from some of the tables inside too.

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Design Diary: Artist’s Garden and Cottage on the Westport River

Last summer I visited artist Joy Hanken’s cottage on the Westport River in Westport, MA and wrote “In an Artist’s Garden” for the Boston Globe Magazine this past April.  It’s a lovely little spot, so I thought I’d share the photos with you.

I’m on vacation and late on deadlines, so forgive me for not including captions, but if there’s anything you want to know about, just ask and click over to the story in the Globe.

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Design Diary: Sleek Cabin on Squam Lake by Tom Murdough

Last fall I wrote about a beautiful lake house in New Hampshire designed by Boston-based architect Tom Murdough for his extended family. The article, “Doing Wright,” appeared in the Fall 2011 issue of Boston Home Magazine. A blog post is long overdue; summer is the perfect time for it.

It’s a guest house just through the woods from his parent’s modernist home on Squam Lake, where Murdough and his three brothers spent their boyhood summers. The design is meant to immerse the family in the woods and help them engage with the surroundings. The transitions between indoors and out are seamless, with sliding doors opening to decks flush with the floors, expanses of glass,  and wood ceilings that run straight through on either side of the windows.

Murdough talks about various “stations” within the compound—the guest house and main house, each with multiple decks, a boat house, two docks on the lake , tennis court, and sport court—connected by paths. He says of the overall site plan, “Conceptually the idea is to encourage movement between the points.”

The house, as seen from the lake. The standing seam copper roof gleams in the sunlight.

People on decks from each house can see each other – or stand back for privacy. The kink creates a cozy area. Lounge chairs from Didriks.

Walls of glass put nature front and center, but do so quietly, because instead of clear cutting, most trees were left standing in order to offer a veiled, almost mysterious, view of the lake. The wood ceilings that run from the interior out to the exterior create a pavilion-like effect when the sliders are open.

Murdough designed the coffee table using a three planks of walnut cut from a single, larger piece, so the grains match up.  The  custom lounge is by Andy McSheffrey of Wood Design New Hampshire.

The floors and built-ins are American black walnut and the walls and ceiling are western red cedar.  George Nakashima chairs from Addo Novo.

A stainless steel backsplash and counter set off the walnut kitchen cabinets. The tabletop is Pietra Bedonia. The built-in bench that divides the living room and kitchen provides storage for rainy day games and extra seating.  Vibia ‘Duplo’ pendant from Chimera.

The family eats all its meals at the kitchen island. The stair support is constructed from is powder coated steel; the treads and handrail are walnut.

The narrow staircase with cable handrails is reminiscent of a ship’s gangway. Murdough says, “Descending, it’s a moment of quiet, before the openness of the main living space unfurls.”

One of two master suites.  Minka Aire ‘Flyte’ ceiling fan in brushed nickel with tiger maple blades.

The expanse of mirror extends the view.

The enclosed built-in desk nook is a tiny sanctuary. The offset window offers a framed view of a slice of the treetop canopy.

The house has lots of corner windows. Murdough says, “I like to break the corners of the building so you’re not looking through a conventional picture frame window.”

The kids’ bunk room. In addition to the bunk beds, there are three singles and a trundle.

Architectural details are minimized, mimicking boat construction, for a streamlined, tidy appearance.

You can see a camp influence here.

The ramp is the main entry. It provides a gentle transition from the wooded path from the main house, as well as the parking area, into the kitchen. You can’t actually drive a car up to the house; you’ve got to walk through the woods to get there.

A breezeway, that can closed off with barn doors, cuts though the house. A master suite is off one side, partitioned off from the rest of the house.

The boat house on the lake is also a play space for the kids on rainy days.

P H O T O S  BY  C H U CK  C H O I

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Design Diary: Finnair’s Fancy First Class Lounge

Last Tuesday I posted photos of Moko Market. Today it’s shots of Finnair’s fancy first class lounge at the Helsinki airport. Sadly, I flew coach (pretty ice blue and green color scheme, but very squished seating), so wasn’t privy to the treats. However the hostess did let me in to take pictures, helping pass my too much time before takeoff. It is seriously cute. I was dying to dig into the salad bar and soup tureens.

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Design Diary: Mick Jagger + L’Wren Scott’s Paris Pied-a-Terre

Fashion designer L’Wren Scott seems the perfect match for Mick Jagger. Despite their rock’-n-roll vibe, their Paris pied-a-terre on the Left Bank, featured in this month’s Vogue, is luxuriously glamorous, though not over the top. Pale herringbone floors covered with Oriental rugs, high ceilings and windows hung with solid color silk taffetta drapery, furniture with simple lines, crystal chandeliers and elegant artwork. And she designed it herself.

Photography by François Halard.

Scott, all legs and long hair, in the paneled drawing room under an Andy Warhol print of John Giorno in the 1963 film Sleep.

The low, curved sofa in the drawing room is covered in cream bouclé tweed from the forties that  “has the air of a vintage Balenciaga suit.” She found it  in a store on the Rue de Lille. She tells Vogue, “Once you’ve been here, you get to know there’s this U-shaped trail of antiques places to look at along the Rue de Beaune, up the Rue de Lille and the Rue des Saints-Pères.”

The entrance hall. Warhol’s Mao print (1972) hangs above a Tristan Auer bench that Scott had upholstered in her own silk-velvet fabric. A L’Wren Scott bag in coral crocodile is perched there, and a Persian lacquered vase found at a Paris flea market stands beside it.

The kitchen is small, but the custom Christophe Delcourt dining table, surrounded by gray lacquered chairs, seats fourteen.

On the dining room mantle, a collection of mirrors are displayed among silver candlesticks and Gabriel Jagger’s painting of his sister Georgia.

The guest room. Painting by Francesco Clemente. Curtains throughout were dyed by the same silk manufacturers Scott uses to create her taffeta evening dresses.

A watercolor of rose petals in concentric circles by Jade Jagger hangs over a dresser by André Arbus.

At the far end of the drawing room is a c. 1930s table by André Arbus. On it rests a rare medieval wooden carving of Saint Martin on a horse, rescued, Scott told Vogue, from Jagger’s château in the Loire. “The piece was sitting there in a niche above the chapel door, and someone had painted him blue. So I took him down and sent him to a restorer recommended by the Louvre.” Damien Hirst’s “Dots” hangs in the background.

A Warhol portrait of a young Mick Jagger hangs in her study, which is stacked with fashion-history and art books.

In the library, a pair of feathered masquerade masks sits among fashion monographs.

Jewelry and other treasures in the bathroom.

The Art Deco bathroom is by Lalique, made in 1926 for a house in Paris. Jagger purchased the ensemble at auction in the seventies and packed it away in the country.  There were glass doors patterned with fountains of bubbles, floor and wall tiles, a mirrored bathtub and cabinets, and a plaque of tiles depicting leaping koi.

A rose colored hallway hung with multiple gilded mirrors.

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