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Montage: 31 Chevron-Adorned Interiors

The cover of this month’s Elle Decor motivated me to put together a chevron montage. It’s funny, because the chevron in this photo is just one element of a room loaded with pictures, yet its boldness pushed it to the forefront of my mind.

I love the pure graphic punch of the flat weave zigzag rugs, even though I probably wouldn’t make such a statement in my house. I think I’d find myself distracted, staring at it until I got that dizzying effect where your eyes go all funny. (Procrastinating is simply a way of life when you work from home.) But I love the way they look in photographs.

When I was about thirteen, I made my father paint a zigzag motif in my bedroom. I got the idea from a sitcom called “Too Close For Comfort,” (anyone remember that?) in which one of the daughter’s room had this funky stripe painted around her room. I simply had to have that look. I took liberties with the colors though. My walls were repainted a bright, clear sky blue. The stripe, a sort of zigzag/vee shape on the feature wall, was navy blue. The pièce de resistance was the white comforter with crisp, multicolored rainbow, compliments of Caldor. The rainbow, cloud, sun ceramic mobile from my best friend Marcia completed the look. Dated, yes, but for a teeny bopper, pretty pulled together.

Photos: Anne Coyle and Nate Berkus in Elle Decor; unidentified; Domino; Nina Freudenberger in Lonny; Mary McDonald; Marie Claire Maison; Living Etc.; Craig Spencer; Anne Coyle Interiors; Cookie; 315 Thomas blog via Made by Girl; Mlinaric, Henry & Zervudachi; Anne Coyle Interiors; Australian Vogue Living; Real Living Michelle Adams; Wendy Blount; Ashe + Leandro; TurquoiseLA; Terrat Elms; M. Design; Kyle Timothy Home; Belinda George Architects; Color Theory; Steven Gambrel in Elle Decor; Angie Hranowsky; House Beautiful via The Goods; Elle Decor; Tory Burch’s closet in Vogue; Living Etc.; Australian Vogue Living; Sabbe Interiors.

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ARTmonday: Focus Line Art by Tracy Melton

Last month while browsing Etsy I came across these amazing tree ring encaustic paintings from Focus Line Art by Tracy Melton. I’ve been really interested in wall installations of late, and thought this would be the perfect opportunity to try one out. So I promptly purchased several sets (well, after much agonizing over just which sets). They’re amazing. I plan to hang them over my green Twilight Sleep Sofa in my study on the Cape. That is, if I can convince my husband to bang 12 nails into the pristine wall. I will post a pic if I prevail.

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Designer Spotlight: Lauren Nelson

I don’t usually do odes to one designer, but the other night at dinner with David Harris of ducduc, Lauren from The Rug Company, and Boston interior designer Annsley McAleer, I met Lauren Nelson, a stylist/interior designer who has newly relocated here from California. She is so nice and talented too, so in the interest in welcoming her to our city, I thought it would be nice to showcase her work. I’m sure we’ll be seeing a lot more of her.

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Photos:  Marnie Rose Agency

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Design Diary: Fotene Design at the Ritz

With the onslaught of new work, I’ve really fallen behind following up my published pieces with blog posts. Last night, as I was sorting through back issues of local mags and tear sheets, I realized I better get motivated. “A Study in Contrast,” a story about a newly married couple with unique challenges concerning color, ran in the The Boston Globe Magazine this past fall.

Chrissy and Mitch live in a decent size condo, but spent most of their time in the media room, so wanted to both brighten and warm it up. They asked their friend, Boston interior designer Fotene Demoulas to take on the project. But there was a catch: Mitch is color blind. He can’t really distinguish between browns and greens, and pale shades appear gray. So, they needed colors that were bright and bold, and of course, appealing to his lovely new wife too!

Picture 1Photo by Eric Roth

Jill Diamantis, the lead designer on the project, stayed away from drab, opting for a a scheme of highly saturated color-on-color. The walls are covered in Donghia’s “Maestro Walls” in Paprika, a linen-backed paper that provides good sound absorption. For the existing built in bookshelves Diamandis pulled a deep raspberry color (Benjamin Moore’s Cranberry Cocktail in high gloss) from the two unframed canvases of Brigitte Bardot and Marilyn Monroe that the couple purchased in Paris during the project  The color  is an unexpected pairing with the terra cotta-colored walls. The side chair and accent pillows are done in a pricey Clarence House silk velvet that sort of resembles a jewel-like animal print.

P1010020The view from the media room has changed over the years, from the shimmering water of Boston Harbor to a monochromatic, urban cityscape.

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Picture 3Photo by Eric Roth

There was a desk in the media room originally, but the designers relocated their “office” to an unused sitting area off the kitchen. The new desk is custom built from pecan wood with a red leather insert. The chairs are brown ultrasuede. Chrissy and Mitch sit here side by side every day, since they both work from home. How cute is that?


Picture 4Photo by Eric Roth

This wall in the living room was painted dark red. The designers upgraded the original painted surface with a hand painted Venetian plaster wall covering by Studio E. So many people wrote in to the Globe inquiring about the wall sculpture – a multi-colored ensemble of bikers purchased in Paris.

Picture 2Photo by Eric Roth

Th posters in the living room also garnered a great source of interest from our readers. They’re from International Poster Company, on Newbury Street in Boston. The vases and bowls are part of Mitch’s collection.

Picture 5Photo by Eric Roth

The windows in the living room look across Boston Common and Back Bay to the Charles River, all the way to the Blue Hills. The designers added deep red window seat cushions throughout the condo, done in 100% mohair by John Hutton called “Cocktails Anyone?” in Bloody Mary.

During my research trying to understand color blilndness, I came across this interesting post from the Colour Lovers blog: As Seen By the Color Blind


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ARTmonday: Tina Barney

I spotted a Tina Barney photo in a room featured in a decorating magazine recently; luckily they provided the credit. I love the atmospheric, more casual than thou, but I’m guessing posed, slice of privileged East Coast life that Barney portrays.

These are the kind of shots that make me feel like, “Well, why can’t I take one of those of my kids at a museum or a friend’s family at their house (and I know just the one)?” Obviously, not so easy, as Barney’s work goes for $20,000-$30,000. Maybe I should grab my camera and try.

Barney also shoots amazing, stylish en scene portraits for The New York Times, so be on the lookout.

The Daughters, 2002

The Graham Cracker Box, 1983

The Brocade Walls, 2003

The Granddaughter, 2004

The Hands, 2002

The Red Sheath, 2001

John’s Den, 1985

Sunday New York Times, 1982

The Young Lady, 2003

Marina’s Room, 1987

Marina and Peter, 1997

The Young Men, 1993

Jill & Polly in the Bathroom, 1987

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Filed under . REGULAR FEATURES, Art, Art Monday