Design Diary Archives - Page 18 of 19

Design Diary: Kristin Gaughan Designs a Bachelor Pad

My newest column for Stuff Magazine came out last week. It’s the Guy Issue, so the piece is about a guy’s guy. The hed pretty much says it all: “How does a Harley-Davidson kind of guy channel his feminine side? Through an interior designer, of course.” It’s a fun read, and garnered quite the comments at the end. Here are some additional pictures and some extra details.

MARK RIGGS IN HIS NEWLY DESIGNED LIVING ROOM

Mark’s a VP at a software company in Cambridge. His place is 2,500 square feet is in the South End. He initially tried to decorate on his own, but didn’t like the result. When he met Kristin Gaughan of Urban Living Studio he hired her to reinvent the space. The goal? To make it a refuge for a single guy who’s always on the go, but comfortable and approachable enough for a woman to snuggle in, and maybe whip something up in the kitchen, were she so inclined.

If you scroll down you can see some before pictures. As, you can see, the fireplace wall was completely re-vamped. Kristin handpicked the granite surround to match the countertop of the new island in the kitchen. No bachelor pad is complete without an oversize TV. This one’s 62-inches and swivels every which way. Below it is a speaker around which she designed a custom flange for a streamlined effect. The stereo equipment (all Bang & Olufsen) is tucked into a built-in cabinet on the far side of the fireplace wall. Of course, the music and television are controlled by remote, but so are the skylight shades, the overhead fan, and the fireplace. Dude!

Love the Eames lounge atop the cowhide rug. Light pours in through the window, making this a favorite spot for after work relaxation (when it’s too cold for the deck, that is).

BEFORE PICTURES

KITCHEN – AFTER

Not sure who this guy is in the kitchen, so never mind him. But didn’t Kristin do an amazing job with the space? She pulled down those awful top cabinets, which immediately opened things up. The island was reworked into a longer, sleeker shape and topped with honed granite. She replaced the exposed brick with bisque subway tile, and added stainless steel shelving. The bottom cabinetry was retained to cut costs, and the fridge too. Kristin reclaims what she can, but brings it to the next level.

Mark asked Kristin to outfit his kitchen in true chef style. The Wolf range (love the red knobs, nice choice Kirstin!), the espresso maker, wine cooler, Shun knives, and oversize pepper mill do the trick. The freezer is stocked with vacuum-packed king salmon and yellow eye he catches with his brother in Alaska on their yearly fishing trips.

THE DECK

Great view looking towards the Back Bay, of the Prudential and the Hancock.

Mark sits out there after work with a scotch and cigar.

BEDROOM

I was impressed with how neatly the bed is made. Mark chose the bedding himself (in fact, he says Kristin isn’t a fan). She swapped the draperies for the tailored Roman shade. It’s not visible in the photo, but in addition to the second TV, there’s a gas fireplace in here too. The painting of the nude woman is a work he purchased in Paris. The small sculptures on the dresser are by a Mexican artist he stumbled upon while on vacation in Punta Mita. There’s also a painting of taxicabs in NYC and a cityscape of Rome. He brings home art (and clothing!) from his travels.

Design Diary: Eric Roth’s Barn

Last summer I stopped by photographer Eric Roth‘s barn/studio on the North Shore for the profile “A Room Of His Own” in the Boston Globe Sunday Magazine.

Photo: Eric Roth

It’s a real barn, 200-years-old, with a loft (where Russ and Mary, his assistants, work), and lots of junk (his word, not mine!) amidst the high tech equipment. Eric says, “Having a barn is a license to collect too much junk, and I have an endless stream of junk I can’t get rid of.” But there are also great vintage signs, furniture salvaged from churches, and all sorts of fun collections. Let’s take a peek.

That’s Eric in the corner. “The barn has been my best friend for years. It’s always been my escape, even though it’s also my work.”

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Photo: Eric Roth

An antique dentist’s cabinet.

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Eric’s childhood sled. He grew up nearby, in Newton.

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Cameras acquired on ebay. Most don’t work. Eric says, “It looks like a press conference.”

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Photo: Eric Roth

Tin robot collection acquired on ebay.

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Photo: Eric Roth

This cabinet was salvaged from a Catholic church. I love the Gothic arch.

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Photo: Eric Roth

Eric uses this Esso gas pump, found at an antiques fair in Topsfield, as a night light.

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Photo: Eric Roth

The vintage signs came from his grandfather’s diner, the F&T in Kendall Square. Also, notice the blue stain glass window he added. It was salvaged from a church and purchased in Montpelier, Vermont.

Design Diary: Jim Higgins’ Pre-Fabulous House in Maine

This modern prefab home is the weekend home of Jim Higgins, Boston architect, a principal with PH Partners. I found him through my hunt for dream homes. Although the house didn’t make that issue of the Boston Globe Sunday Magazine (Your Dream Homes), I was able to do a “Designing” column called “Modern, Naturally”, which ran this Sunday.

It’s a modern prefab home, designed by Missouri-based architect Rocio Romero. Higgins first spotted the modern prefab structure in Dwell, and it was love at first sight. He flew down to Missouri to check out Romero’s own home and decided he had to have one for himself. He ordered one for the plot of land he had recently purchased on Spinney Creek in Eliot, Maine. (The original plan had been to design and build a traditional New England house, but this is definitely much more fun.)

Th is an LVL Home from Romero’s LV Series kits of modern prefab homes. The houses are 1,453 square feet, with a kitchen, living room, dining room, three bedrooms and two baths, though he made some changes, such as flipping the plan to better fit the site and take advantage of views and rearranging some interior walls.

If you look at the top photo, which is the back of the house, the rooms are as follows, left to right: master bedroom, guest bedroom, living room, dining room/kitchen. The second photo is the front of the house. The narrow strip of windows on the left are the windows above the kitchen counter, and the little windows on the right are in the bathrooms. Let’s take a tour.

Entry

The exterior is corrugated panel siding called Galvaloom. The walkway (scroll back up to the second photo) is a docking system, so it’s actually a little bridge to the front door. He eventually plans to add a deck out back constructed from the same material.

Living Room

These are the scouting photos Jim sent me initially. (I visited in the dead of winter, on the first snowfall of the season.) The white Petrie sofas are from Crate & Barrel (there’s an outlet in nearby Kittery), as is the red nylon rug, which cost just $99. The floor lamp is CB2. The chairs are the real thing – the Risom Lounge Chair from Knoll, and the marble-topped coffee table is Florence Knoll. The painting is actually a portrait of Jim, done by a friend, Marblehead artist John Bonner.

This shot shows you a better view of the Spinney Creek, which is used as an oyster and clam farm. It’s clean enough to swim in, and he has a dock, as well as a flotilla of kayaks. So pretty.

Kitchen

The stainless steel cabinetry is IKEA. The counters and island are white Caesarstone. The backsplash is a 2×2 white gloss tile. I love the fridge – it’s a white glass front Jenn Air – I’d never seen one before. The three little squares are $29 lights from Lightology, that match the little recessed ones in the ceiling.Stools from Crate & Barrel.

Dining Room

Jim has his eye on a pricey Florence Knoll dining table, but in the meantime uses this outdoor dining set he picked up at an end of season sale from Sears. He hung IKEA tracks for the curtains, which he had made from cheap white material he bought at JoAnn Fabric. The African sculpture in the corner was a gift from his partner’s parents.

The floor looks like planks of pickled oak, or weathered grey shingles, but is actually Italian ceramic tile with a wood grain texture, in a plank design. And it’s toasty – he did radiant heat underneath. (I took this photo – notice the grey day outdoors.)

Interior Entry

The stairs lead to a finished basement. The rail still needed to be built when this picture was taken, so they turned a glossy red IKEA bookcase on its side and topped it with a white cushion, to use as a bench and barrier. You’re looking down the hall, to the master bedroom. Notice the full height doorways, which, at $1,000 each, were a splurge.

Master Bedroom

The bed is IKEA and the bedding from Dwell. The stool is Knoll, but he doesn’t remember where he purchased the marble cubes. In front of the bed there’s a patchwork cowhide rug from Paris. The painting is by Massachusetts artist Mark Allen. Sconces from Lightology.

The sink is open to the room; the shower is to the left, the toilet to the right. The floor to ceiling mirrors are actually IKEA wardrobes that he built in. The sink, cabinetry, hardware, and plain wood-framed mirror are also from IKEA. The tile is the same as the tile in the kitchen.

Take a look at the recessed baseboard, which has a brushed aluminum reveal. It is a white melamine baseboard (durable and no painting required!) from IKEA. Easy and cost effective.

Guest Bedroom

Love the tangerine bedding. Bed and mirrored storage from IKEA. Painting by a French artist, purchased from a furniture store that was going out of business. Sconces from Lightology. There’s a Florence Knoll side table and a Bertoia chair too.

Guest Bathroom

Bathroom cabinetry and hardware from IKEA.

Basement

There’s a full basement, accessed by a custom metal staircase with custom stained ash treads. It’s a large space, great for parties, and movies. Jim hosts a Halloween party with dancing, and a white party in summertime.

Doorbell

I would like a modern prefab home for myself.

Design Diary: Michelle Gubitosa of Phi Design

The newest issue of Stuff Magazine came out today, with “A Sleek City Deck Makes for Cool Summer Entertaining.” – the profile I did about an amazing roof deck (and view) in Dorchester. Although I had to drive out of the city, the interview was lots of fun. The place , a classic triple decker – they’re on the top floor – is owned by Michelle Gubitosa (left), co-owner of Phi Design (a creative consulting firm that uses innovative ideas to transform events, interiors, and people) and her wife, Rebecca Wilson (right), owner of The Urban Hound. Michelle made me a yummy lunch (so nice!) and we chatted about pretty much everything, from how they met (at a party on a roof deck), their recent wedding at Mistral (it was a surprise – none of the guests knew!) and Michelle’s impending 50th birthday party (she’s already booked the D.J.), to their favorite booze (St. Germain, Champagne, and Limona Coronas), Michelle’s hidden cooking talents (pizza from scratch, learned from her dad), and Rebecca’s favorite cookbook (The Moosewood).

Here are some photos of their roof deck and rooms:

Michelle and Becky used to live in the South End, where they also had a roof deck that was all “Mac Daddy’d out.” Friends dubbed it the Starlight Lounge and the name stuck. This deck too, is party central. Check out the grill . . .

They might do fish tacos and Limona Coronas (Corona with white rum), burgers and Champagne (Michelle adores Champagne. She used to be a “Veuve queen” but at “forty bucks a pop”, has taken a liking to Prosecco), or tuna steaks and fillets with cocktails. If the ladies who own Brix Wine Shop visit, Manhattans are the drink of choice. Their friend Xyomie, whose brother used to spin at Studio 54, mixes CDs for the fiestas, though Xyomie is actually a chef and sommelier by trade.

You can see the city, the harbor, and the beloved Boston landmark, the Dorchester gas tank. Fun!

Now step inside . . .

This is the living room. Michelle did the interiors throughout. The place was gutted when they bought it three years ago. These days she’s deriving inspiration from Furniture and Interior Design for the 21st Century. There’s a million yellow stickies in her copy marking ideas she wants to incorporate into the events she designs. (By the way, fashion fans, her partner in Phi Design is Nilda Martin, co-owner of Parlor in the South End. Michelle says, “We’re a hybrid; we handle anything creative.”)

You can see all the yummy food Michelle put out for me. (Thank you again for feeding me lunch Michelle.) The island counter top is Silestone and the glossy white cabinets are IKEA. (Amazing how great IKEA cabinetry looks these days; I’m seeing it everywhere.) There’s a Jenn Air double oven and two wine cellars. One for, you guessed it, Champagne, and the other for red wine. In winter Becky, who’s the cook of the pair, prepares lots of soups – lentil, stews, Asian noodle that takes all day, beef bourguignon. Michelle, who comes from “a family of builders,” just put up bookshelves for all of Becky’s cookbooks. She even made her a cookbook with all their favorite recipes. So sweet!

The dining room. Table, chairs, and mirrors from Crate & Barrel. Alessi bowl on the table, but you knew that already. The black glass chandelier is from one of Michelle’s prop resources, Gallery 484. Notice the photos; they’re Michelle’s. She was a student at the SMFA before going into business as a party planner way back when. These are close up images of crosses on graveyard headstones. Other works of hers are scattered around the house, including super closeups of the backs of lichen-covered headstones, and the floor of Barneys in NYC on which interesting shadows were cast from the racks of clothing. Michelle’s first show opens tonight, May 6th at Enoteca of Via Matta in Park Plaza, Boston.

The bedroom. Artwork by Michelle.

On the color scheme she says, “We’re such earth tone people.”

The dressing room/bathroom opens right off the bedroom, no door. It’s a fab space. This is where the idea for Phi Design was born. Michelle had hired Nilda to prune her closets, and over a glass (or two) of wine, they realized they’d make the perfect creative team.

And, finally, the tub.

The End.

Woof.

Design Diary: Chef Lydia Shire’s Kitchen Collections

Photo courtesy of Boston Globe.

Earlier this year I visited chef Lydia Shire at her home in Weston, Mass., to write a story about her kitchen, and more importantly, her overflowing collections of kitchen paraphernalia. The piece “A Cook’s Collection” was published last weekend in the Boston Globe Sunday Magazine. (If you’re not acquainted, Lydia owns the restaurants Scampo and Locke-Ober in Boston and Blue Sky in York, Maine.) She’s a colorful character, as her home attests…

Outside, the house is a quietly pretty, traditional New England clapboard colonial/farmhouse. As you can see, it was a snowy day when I visited. Unfortunately, Lydia was dealing with some type of flooding that occurred the night before; there were all sorts of workmen there. (Hence, the Chevy pickup.)

Inside, it’s bright, cheerful, loud, decked out in an abundance of color and kitsch. The photos I shot of her living room are too blurry to post, but here’s a great one of her fantastic dining room.

The kitchen is amazing. It’s at the back of the house. The entire back wall is glass, with red steel windows, and a door that opens to the patio and field. (The property was a farm way back.) Lydia’s daughter, Lisa Shire, designed the renovations it as her first project out of architecture school, after everyone Lydia brought to see the house told her not to buy it because it was too run down. I wish I had a better photo, but this will have to do. Just be sure to imagine that the window frames are bright red, as is the Venetian glass chandelier. The table, which she got at Brimfield, has a copper top.

The floor is concrete. Here’s the story Lydia told me about how it came to be:

“I saved money to do the house over. I had X dollars, and you usually go over and scramble at the end. I didn’t know what kind of floor I wanted here; the rest of the house has quarter sawn oak. I started looking at limestone and other stones, but they were all so expensive would have sent my budget reeling. I had gone to this restaurant in Seattle that had colored, poured concrete floors, so I suggested it to my contractor. We did this for $3,000. It’s poured, polished concrete, with no color, because I didn’t want it fake. It’s perfect with the fieldstone.”

Here’s a photo that her publicist, the wonderful Jo Swani of the The Moxie Agency, sent me of the patio in summer:

Here’s the area of the kitchen where the cooking happens. It’s on the smaller side, considering how large the room is, but that’s the way Lydia likes it. She has this to say:

“The great thing is this kitchen could not be better. I love the small workspace. I don’t have gadgets. To me, cooking is a pan, an instrument in your hand, it’s a cutting board, your refrigerator your stove. I don’t know why people make these massive things. For what?”

Her favorite part of the kitchen is the red stove.

Here’s Lydia’s stove story:

“It’s Chambers; probably made in the late ’40s, maybe ’48, the year I was born. It’s America’s answer to the Aga stove, though it’s gas. My aunt had one in Newton when I was a little girl growing up. I loved it. It was an old fashioned green. I was in California in ’86; I went to Antique Stove Heaven and I saw this. It was in perfect mint condition, so I bought it for a little over $1,000 and had it shipped to Boston. My meat purveyor stored for it me. I didn’t have a house, no place to put. I finally got it out when I moved in here.”

The stove has a built-in mashed potato cooker, and a broiler that opens from the top of the stove, in which she she cooks chicken legs quite a lot. But her favorite use for the Chambers stove seems to be chocolate cake…

“It makes chocolate cake better than my Gagganeau, which is so well insulated that the heat is very uniform, so it bakes the cake slowly, whereas in this one, the heat is more intense, so the cake gets crusty on the outside and gooey inside. I always make chocolate in my old oven, progress is not always good. I could make the same cake in both ovens and you’d like the one from my red one better.”

Just a few more pics before we get to the collections…

This is Lydia’s butcher block. It’s old, though the stand is newish. It came from England. She says, “”I’m an incurable carnivore,” she says. “I love to think of all the happy carcasses that met their demise here.”

She’s especially fond of pigs.

Lydia is just as much a collector as she is a chef. She says her husband calls her stuff junk, but actually most of the stuff is pretty special. She stores/displays most of the items in the pantry, a room within her kitchen with walls made from two-ply laminated glass sandwiching a layer of mesh, so they’re sheer but still provide some cover.

Finally, here is a sampling of her stuff!

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