Earlier this summer, Boston designer Tom Egan of Evolve Residential sent me photos of his business partner Josh Linder’s 609-square foot, parlor-level condominium in a 19th century Victorian townhouse in the South End. We had hoped to feature it in the Boston Globe Magazine’s upcoming “New England Traditional” home issue, but alas, Josh sold it and moved out. But, lucky me (and you), I can feature it here. It’s amazing, and of course, Josh and Tom did all the design work. Here’s the grand tour:
The bones of the 145 year-old condo were beautiful and retained all of the traditional elements one associates with 19th century Boston homes: high ceilings, bay windows, crown moldings, and paneled doors. Yet it had been turned into a hodgepodge mess over the years. In addition to restoring the historic details, they tweaked the layout to suit 21st century living (an-suite bathroom, Poggenpohl kitchen). The paint colors, fabrics, and furniture are a dynamic mix of contemporary and traditional. The living room is painted in seven shades of gray!
The sofa was custom made to follow the lines of the bay window, and is upholstered in a plush strié velvet. The walnut barrel chairs are by Flexform from local furniture store, Showroom. The target painting is by Michael Hoffman, represented by nearby gallery, Jules Place.
The antique petite neoclassical Biedermier walnut chest of drawers is gorgous. They found a fabulous pair of French Baroque style mirrors from the 1940s; one’s in the living room, the other in the dining area. I asked about the funny little men on the chest. They answered, ” These little cuties are an antique pair of porcelain white monkeys from antique vendor in Los Angeles.”
To the left of the fireplace they designed a custom banquette to function as a dining area and work space. Brass Irwin Feld “stiletto” ottomans upholstered plush pleated velvet are an unexpected contrast to the Saarinen pedestal table, and a feminine counterpoint to the black tufted leather banquette. To the right is the master bedroom. I love the tall, panelled door, which is painted in Benjamin Moore’s “Polo Blue.”
A nice closeup of the other French Baroque style mirror. Look in the mirror for a glimpse of the kitchen.
Check out the table (on legs!) in the entry. Tom says, “It’s our absolute favorite piece in the entire residence!” It is a 1940s polished metal German prosthetic style skeleton leg table with a thick Lucite top. Whoa. The Osborne & Little “Trifad” wallpaper composed of metallic interlocking Chinese keys is one of my favorites. The floors are dyed black and finished with an ultra-matte polyurethane.
In the master bedrooom, the walls are covered in a grey textured fabric which has been paper-backed and applied like wallpaper. They did not reveal where that funky chandelier is from . . . Love the ikat pillows and thick drapery.
Here’s Josh’s closet. Jealous?
Hi shirts and suits match the decor : )
The chocolate-colored kitchen has grasscloth walls. Tom says, “It adds a beautiful texture with a subtle iridescence from the various colored grass strands running throughout the paper.” As to its practicality, he notes that covering the grasscloth with a thin coat of matte polyurethane creates a wipe-able surface. Good to know.
The cabinetry is Poggenphol. I love how it’s slotted under the eaves. A table lamp makes it so cozy. What’s above the fridge? A built-in Miele espresso machine!
There’s also a lovely little deck.
Photos by Sean Litchfield
