Design Diary: Fotene Design at the Ritz

With the onslaught of new work, I’ve really fallen behind following up my published pieces with blog posts. Last night, as I was sorting through back issues of local mags and tear sheets, I realized I better get motivated. “A Study in Contrast,” a story about a newly married couple with unique challenges concerning color, ran in the The Boston Globe Magazine this past fall.

Chrissy and Mitch live in a decent size condo, but spent most of their time in the media room, so wanted to both brighten and warm it up. They asked their friend, Boston interior designer Fotene Demoulas to take on the project. But there was a catch: Mitch is color blind. He can’t really distinguish between browns and greens, and pale shades appear gray. So, they needed colors that were bright and bold, and of course, appealing to his lovely new wife too!

Picture 1Photo by Eric Roth

Jill Diamantis, the lead designer on the project, stayed away from drab, opting for a a scheme of highly saturated color-on-color. The walls are covered in Donghia’s “Maestro Walls” in Paprika, a linen-backed paper that provides good sound absorption. For the existing built in bookshelves Diamandis pulled a deep raspberry color (Benjamin Moore’s Cranberry Cocktail in high gloss) from the two unframed canvases of Brigitte Bardot and Marilyn Monroe that the couple purchased in Paris during the project  The color  is an unexpected pairing with the terra cotta-colored walls. The side chair and accent pillows are done in a pricey Clarence House silk velvet that sort of resembles a jewel-like animal print.

P1010020The view from the media room has changed over the years, from the shimmering water of Boston Harbor to a monochromatic, urban cityscape.

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Picture 3Photo by Eric Roth

There was a desk in the media room originally, but the designers relocated their “office” to an unused sitting area off the kitchen. The new desk is custom built from pecan wood with a red leather insert. The chairs are brown ultrasuede. Chrissy and Mitch sit here side by side every day, since they both work from home. How cute is that?


Picture 4Photo by Eric Roth

This wall in the living room was painted dark red. The designers upgraded the original painted surface with a hand painted Venetian plaster wall covering by Studio E. So many people wrote in to the Globe inquiring about the wall sculpture – a multi-colored ensemble of bikers purchased in Paris.

Picture 2Photo by Eric Roth

Th posters in the living room also garnered a great source of interest from our readers. They’re from International Poster Company, on Newbury Street in Boston. The vases and bowls are part of Mitch’s collection.

Picture 5Photo by Eric Roth

The windows in the living room look across Boston Common and Back Bay to the Charles River, all the way to the Blue Hills. The designers added deep red window seat cushions throughout the condo, done in 100% mohair by John Hutton called “Cocktails Anyone?” in Bloody Mary.

During my research trying to understand color blilndness, I came across this interesting post from the Colour Lovers blog: As Seen By the Color Blind


Design Diary: John Stefanon at FP3

I first came across the design studio of John Stefanon earlier this year at at SoWa Open Studios, when I wandered into JFS Design Studio amidst the galleries at 450 Harrison. I loved the spare, earthy look, and John was so welcoming. I’ve since had the opportunity to profile his work a couple of times. Most recently, I wrote about Studio 210, a model apartment at FP3 in Boston’s Fort Point neighborhood, for Stuff Magazine – “Designer John Stefanon redefines one-room living in Fort Point.”

Studio 210, FP3_DSC3228cPhoto courtesy of FP3

This is the second model apartment Stefanon was asked to design at FP3, a sleek 92-unit loft building in Fort Point. While the first one (which I’ll do a post on too, at some point), has multiple rooms, over-sized windows, and lots of light, this is the most challenging unit in the building — a second-floor studio with no view.

The directive was to help would-be buyers conceptualize how to make the most of a studio. Stefanon needed to show how one can fashion a single room into a living space that functions well for both entertaining and private time, while remaining organized and, of course, stylish. No problem.

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The 671-square-foot space is divided into four areas — entry, dining, living, and sleeping.

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lobbyPhoto courtesy of JFS Design Studio

Stefanon designed the vestibule to be the snazziest area. “In an unfinished unit, people go right to the window,” he says. “So we created an interesting entry in hopes they would stop, think, and take it all in.” And, formalizing the entry not only ensures that guests savor their first moments here, but defines the entry as its very own space.

The Tibetan wool Paul Smith “Swirl” rug by The Rug Company certainly made me stop in my tracks. Love, love, love. He covered the entry wall in Braille Wall Flats by Inhabit Living. The textured panels are both eco-friendly (they’re made from 100% molded bamboo paper pulp) and inexpensive($86/10 tiles that cover 22.5 square feet). To evoke a sense of outdoors, Stefanon painted the ceiling a moody, neutral blue (Benjamin Moore Wedgewood Gray HC-146). Above a clean-lined custom console table that’s perfect for mail and keys, he hung a convex mirror by Reflecting Design that reflects the space beyond.

Stefanon further differentiates the vestibule from the main living area by lining the interior frame of the portal with custom walnut panels stained to match the finish of the unit’s door. The detail is a nice touch — “It makes people feel like they’re about to walk into somewhere special,” he says.

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kitchenPhoto courtesy of JFS Design Studio

The kitchen is the standard kitchen for the units. Stefanon says, “By adding an interesting entertaining area in front of the kitchen, not just about the kitchen anymore.” The drum pendant, which hangs from a chrome rod is by Tango Lighting.

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“The kitchen,” Stefanon says, “is not just about the kitchen. It’s also a place for entertaining.” The long, rectangular table by is on wheels, so it can function as a dining table, an island, or a buffet, or be pushed out of the way altogether. The rattan-backed mahogany bench by The Home Port adds a tailored touch to the utilitarian table, while the chain-mail chairs by infuse an industrial edge reminiscent of the building’s warehouse origins. The screen, also by Design Workshop, separates the kitchen from the sleeping space.

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The development company had initially requested that Stefanon incorporate a Murphy bed into the design, but he felt the look was too typical. Instead he opted for a more artistic approach. Drawing on the neighborhood’s artsy identity, Stefanon designed an oversized headboard constructed with art frames around the perimeter of an upholstered inset of tufted outdoor chenille from Glant Fabrics‘ The Modern Collection. Stefanon considers the headboard an art piece, since there isn’t much room for actual artwork on the walls. The custom duvet is made from Calvin Fabrics. On the bed he used a single large pillow, in a leafy Schumacher print, for maximum impact and minimum fuss. (For Bostonians looking for a workroom you can trust – Stefanon uses Finelines in Peabody.)

The small dresser Stefanon uses as a nightstand is a custom design in an antique white crackle finish with stainless hardware (the same as the entry console). On the other side he thoughtfully incorporates a desk, another custom piece, fabricated in acrylic “so it doesn’t clutter the space.” The leather desk chair, which has an interesting silhouette, is from Italian company Arper. The lamp is a one-of-a-kind piece made from industrial parts and hand blown glass.

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lr2Photo courtesy of FP3 (detail)

Instead of a sofa, Stefanon outfitted the living area with four chairs. He points out, “A sofa seats three, but nobody wants to be in the middle. This way is more user-friendly.” The French Provincial–style chairs by Eloquence are upholstered in natural muslin. They are sophisticated, yet casual and comfy, and are adorned with colorful pillows by Megan Park, from Calypso Home. The table, a custom design in a cerused oak finish, is rustic enough to put your feet on. The jute rug, from Stark, is equally practical. For additional seating, the bench from the dining table can be pulled over.

Curtains in hung on either side of the space as if they are one big window, are neutral, and tie the space together. They go to the floor and have a cotton tape along the bottom, for interest. Stefanon hung art on brick even though it gets hidden when drapes are drawn.

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tvPhoto courtesy of JFS Design Studio

Across from the bed is another custom crackle cabinet. Stefanon hung black & white beach photos by Roy Barloga above because “everyone knows that’s where you’d put the TV, so I did something more artistic.” The sculptures are old helmets on stands

“The goal,” he told me, “was to make every living area special, without overdoing it,” The key to achieving this balance? A lot of editing. Good advice for those confined to one-room living. Stefanon confided, “Somebody saw this the day after I finished it and bought the studio directly above.”

Want more?

Video tour of Studio 210 with John Stefanon: NECN/styleboston: A Hot Spot in Fort Point

Beauty Break: Rheal Day Spa

When I hear Maine, I think L.L. Bean, clambakes and moose. Foliage if it’s fall, with some outlet shopping thrown in. Or preppy seaside retreats with crisp nautical motifs. Day spas? Not so much. Until I saw photos of Rheal Day Spa in Rockland, Maine, owned by esthetician Rhonda Nordstrom.

I first learned about Rhonda’s Rheal product line, the sunscreen specifically, from Sharon Kitchens at Delicious Musings. (Sharon, a conflicted fashionista dedicated to living the green life, had met Rhonda when she was living up in Maine.) I’m going to be writing an article about Rhonda’s amazing new eco-friendly home later this year. But in the meantime, I wanted to show you pictures of her new spa. Designed by architects Carrie Shores and Josh Larson from the architecture firm Larson + Shores, it’s fresh, clean, airy, and eco-conscious.

Rheal Nail Rm

This is the nail room. Carrie handpainted the design on the wall, after tracing it using a projected image. Rhonda calls the design a sea flower; it’s the spa’s logo. Notice the curtain on the left? It’s an almost perfect match, and from IKEA. The floors are rubber and the textiles from recycled fibers.

RhealexteriorRheal is on Main Street in Rockland, in an old factory building. Rhonda calls Rockland “a pretty urban, hip little town.” (I’ll get back to you on that; I’m visiting next month.) Nevertheless, Rhonda says, “When people walk in, they say it’s like walking into a whole other world. Which is good,” she adds, “since it’s a spa.” Recently, she had a client from Manhattan who said Rheal was like any other spa she would go to. It certainly looks the part. I’m guessing the treatments are heavenly too. After all, Rhonda learned her trade at Grettacole, back in the early days. She says, “Gretta taught me how to shape eyebrows; I will be grateful to her forever.

Rheal front_room

They used a lot of eco-friendly materials. The floor in the reception area (above) and the other rooms without water, are cork.

Rheal ocker_entryThis is the locker room, with the meditation room beyond. The chair is Japanese and rocks gently. Carrie found it in San Francisco. I’ll have to ask her where. The fabrics are made from recycled soda bottles. The sconce shades incorporate grass reeds.

pediDetail of the nail room.

treatment rm1This is one of the very peaceful treatment rooms. You can see her private line of skincare products, which Rhonda describes as “clean, healing, authentic.” The line started as an anti-acne line, but now includes “graceful aging” products. She touts the Lip & Face Serum in particular. The spa also use Dr. Haushka products, which Rhonda loves.

Rheal showerSink and shower in the locker room. The countertops are made from recycled paper, by a company called Paperstone. They’re beautiful and don’t absorb any water.

Rheal dressing roomDetail of sink in locker room.

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Design Diary: Andrew Terrat at FP3

This spring, Jessica Danforth of Kortenhaus Communications (love her!) brought me on a whirlwind tour of four different apartments at FP3 in Fort Point Channel, followed by lunch at Barbara Lynch’s Sportello. (Delicious, and really well-designed.) The neighborhood is industrial and artsy, and the building, designed by David Hacin, reflects those influences. The lobby even even includes an exhibition gallery. In addition to three model apartments (I just handed in an article for Stuff on the studio unit designed by John Stefanon, which I’ll blog about once it’s published), Jessica got permission to show me a privately owned two-bedroom designed by Andrew Terrat of Terrat Elms.

FP3 in Fort Point Channel, Boston

fp3 exterior

FP3 Lobby

lobby

This condo is owned by a couple who lived in the Boston suburbs, but decided to move into the city when their daughter left for college. They hired Andrew Terrat of Terrat Elms to design the entire interior, and they are beyond thrilled. Who can blame them? Not only is Andrew darling, the space is spectacular.

Here is the unit when first they purchased it.

Condo, Before

before

The unit isn’t especially large, but it’s well laid out, with a self contained entry with roomy closets, an open kitchen, and a private master bedroom suite.

Floor Plan

floor plan

Andrew relocated the closets in order to incorporate a console. He chose a stainless steel piece that you might find in a lab. He added a textured wall covering and wood panels.

Entry

Hallway2

The fixture has an industrial edge, echoing the feel of the neighborhood.

Detail, Entry Light Fixture

entry

Turning the corner, you enter the main living space, with an open kitchen and the living/dining area beyond. It’s done in neutrals, with yellow and chartreuse accents.

Main Living Area

entire

Looking from the living room, back towards the entry. That room is the second bedroom, where their daughter stays when she’s home from school. The kitchen island is wrapped in stone, a hot look right now. I like the effect, but hate to think how much extra money all that stone costs.

island


Andrew replaced the cabinetry and finishes. I love the the mini subway tile back splash against the white cabinetry, and appreciate how the gray tones accentuate the stainless steel counter top and hardware. (I don’t remember the manufacturers; must email Andrew.)

Kitchen

kitchen

Pop, pop, pop! Bright and jagged upholstery really defines the space. Love the clear pendant – very industrial goes glam – and of course, the Saarinen tulip table.


Dining Area

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Terrat produces an effect with the tile in the bathroom that’s similar to that in the kitchen. The homeowner told me that Andrew even added the blue mouthwash. Like most designers, every time he visits he fusses and moves stuff around.

Bathroom
bathroom

A comfortable but glamorous retreat.

Master Bedroom

mbr

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For a peek at Boston Magazine‘s Concept Home at FP3 see Erin’s post on Elements of Style.

Design Diary: Quaint on the Cape

Like many summer destinations, there’s a large rental market n the Outer Cape. You might pour over website photos all winter long, but unless you really know the area, and have been inside the house, you simply don’t know what you’ll end up with. As my son’s preschool teacher said, “You get what you get and you don’t get upset.” Our friends lucked out with this cottage. It’s very private, nestled in a thicket of trees. It is utterly charming, inside and out, with well-worn but comfortable Americana antique furnishings and and cozy outdoor garden. (The Cape doesn’t do posh.) I should have taken more photographs, but here’s what I captured:

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rental-chairs

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