Design Diary: Boston Pied-a-Terre by Ana Donohue

I wrote about this the 1,600-square-foot, contemporary Back Bay condo, decorated by Boston area interior designer Ana Donohue, for New England Home in the article “Urban Oasis.”  Boston photographer Michael J. Lee took all the photos.

The homeowners, who live in Bermuda, purchased the two-bedroom as a pied-a-terre so they’d have somewhere to stay while visiting their two daughters, who attend boarding school in New England. Ana was recommended by a friend, and worked with the wife to create a contemporary home-away-from-home that has a similar feel to the family’s Bermuda residence.

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The walls were already this deep charcoal, and since there’s tons of light, they decided to leave it. Plus, dark walls would provide a dramatic backdrop for the light-colored B&B Italia Charles sofa by Antonio Citterio and Cassina LC2 armchairs, purchased at Montage.  The mirrored cocktail table is from The Morson Collection. Newton-based art consultant Jacqueline Becker chose artwork throughout.

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The floors, however, were a different story. Stained a rich walnut, the homeowner wanted them lightened. The contractor thought they were crazy, but embarked on a long bleaching process that left the floors a lovely, creamy shade of white. Everyone loves them.

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Donohue chose a silvery rug from nearby Landry & Arcari to keep to a uniform palette. The homeowner told me, ““I didn’t want a Persian rug, or a busy print; it would make too much of a statement.” She also preferred to leave the windows bare. Donohue added color and pattern with Missoni throw pillows. Donohue chose a pair of alabaster-topped turned walnut  Jonathan Adler Buenos Aires side tables in different sizes.

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In the dining area, Donohue used a classic white marble Saarinen dining table and Saarinen Executive dining chairs. A Foscarini Caboche Suspension Lamp designed by Patricia Urquiola hangs above, casting an amber glow.

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A Jonathan Adler Bond desk is in front of a window; the Lucite legs makes the burled mappa wood top appear to float. Behind it, barely visible, is an Kartell Mademoiselle chair, also with Lucite legs.

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The upholstered bed in the master bedroom is from DWR and the sleek dresser from Italian Design in Brookline. Bedding from Bloomingdale’s.

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Stacked horizontal tile in robin’s egg blue is from Ann Sacks, and the contemporary walnut vanity and faucet from Billie Brenner in the Boston Design Center.

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The girls wanted fun colors in their bedroom. Ana found a brightly colored wire side table and bedding at Home Goods. The Jonathan Adler zebra rug in orange adds pattern.

Photography by Michael J. Lee

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Design Diary: Kate Patterson’s Brookline Home

I just got back from a gathering at the home of Brookline-based interior designer Kate Patterson. The house is absolutely stunning; Kate has incredible talent. We met last week via email as I was trying to organize a mini school bus. Turns out her son just started 7th grade with mine. It also turns out that she hosted the breakfast for the Fall 2013 issue of Boston Home magazine, since her house is featured.

The house, which is on a city street across from a park—with a distant view of the Prudential and Hancock buildings, dates from the turn-of-the-century, and was a complete mess when they bought it. Kate and her husband hired architecture firm Warner + Cunningham to help with the plans, CW Design for the custom cabinetry in the kitchen and master bath, the Remodeling Company to gut the place, and Faith Michaels of Faithful Flowers for landscaping. Obviously, she decorated it herself.

I want to move in. Probably the best I can hope for is an invite back. The first 7 images of Kate’s home are from the magazine, photographed by Trent Bell. Then, my Instagram snapshots from this morning.

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Above photos by Trent Bell

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 Shop Serena & Lily for fall decor – 150+ new items!serena-lily-banner-fall-2013



Design Diary: Victorian Townhouse by Evolve Residential

Earlier this summer, Boston designer Tom Egan of Evolve Residential sent me photos of his business partner Josh Linder’s 609-square foot, parlor-level condominium in a 19th century Victorian townhouse in the South End. We had hoped to feature it in the Boston Globe Magazine’s upcoming “New England Traditional” home issue, but alas, Josh sold it and moved out. But, lucky me (and you), I can feature it here. It’s amazing, and of course, Josh and Tom did all the design work. Here’s the grand tour:

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The bones of the 145 year-old condo were beautiful and retained all of the traditional elements one associates with 19th century Boston homes: high ceilings, bay windows, crown moldings, and paneled doors. Yet it had been turned into a hodgepodge mess over the years. In addition to restoring the historic details, they tweaked the layout to suit 21st century living (an-suite bathroom, Poggenpohl kitchen).  The paint colors, fabrics, and furniture are a dynamic mix of contemporary and traditional. The living room is painted in seven shades of gray!

The sofa was custom made to follow the lines of the bay window, and is upholstered in a plush strié velvet. The walnut barrel chairs are by Flexform from local furniture store, ShowroomThe target painting is by Michael Hoffman, represented by nearby gallery, Jules Place.

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The antique petite neoclassical Biedermier walnut chest of drawers is gorgous. They found a fabulous pair of French Baroque style mirrors from the 1940s; one’s in the living room, the other in the dining area. I asked about the funny little men on the chest. They answered, ” These little cuties are an antique pair of porcelain white monkeys from antique vendor in Los Angeles.”

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To the left of the fireplace they designed a custom banquette to function as a dining area and work space. Brass Irwin Feld “stiletto” ottomans upholstered plush pleated velvet are an unexpected contrast to the Saarinen pedestal table, and a feminine counterpoint to the black tufted leather banquette. To the right is the master bedroom. I love the tall, panelled door, which is painted in Benjamin Moore’s “Polo Blue.”

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A nice closeup of the other French Baroque style mirror. Look in the mirror for a glimpse of the kitchen.

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Check out the table (on legs!) in the entry. Tom says, “It’s our absolute favorite piece in the entire residence!”  It is a 1940s polished metal German prosthetic style skeleton leg table with a thick Lucite top. Whoa. The Osborne & Little “Trifad” wallpaper composed of metallic interlocking Chinese keys is one of my favorites. The floors are dyed black and finished with an ultra-matte polyurethane.

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In the master bedrooom, the walls are covered in a grey textured fabric which has been paper-backed and applied like wallpaper. They did not reveal where that funky chandelier is from . . . Love the ikat pillows and thick drapery.

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Here’s Josh’s closet. Jealous?

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Hi shirts and suits match the decor : )

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The chocolate-colored kitchen has grasscloth walls. Tom says, “It adds a beautiful texture with a subtle iridescence from the various colored grass strands running throughout the paper.”  As to its practicality, he notes that covering the grasscloth with a thin coat of matte polyurethane creates a wipe-able surface. Good to know.

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The cabinetry is Poggenphol. I love how it’s slotted under the eaves. A table lamp makes it so cozy. What’s above the fridge?  A built-in Miele espresso machine!

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There’s also a lovely little deck.

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Photos by Sean Litchfield

Design Diary: Jill Litner Kaplan’s New Home

Last evening I went to a cocktail party at Boston area interior designer Jill Litner Kaplan’s new house. Spectacular! Although Jill and I overlap in the professional world, I’ve never had the chance to work with her. I actually know Jill from temple. (Happily our sons have started hanging out at Hebrew school this year.) And, from another bizarre connection… years ago a young designer named Ally, who was moving to Boston, wrote to me asking for names of designers she could contact for a job. I sent her a long list, and she wound up working for Jill Litner Kaplan Interior Design! Not that odd… but, what is weird, is that Ally’s husband and mine coincidentally work together. Last night, not only did I get to tour Jill’s perfectly turned out house in West Newton, I finally got to meet Ally. And bumped into a few others. (Good to see you  Vani!) As always, I couldn’t just enjoy the food and company (though I certainly did that too). I Instagrammed the event.  Jill, although I showed up empty-handed at the last minute, I thank you for your impeccable hospitality. How’s a blog post as a belated hostess gift?  xom

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Jill Litner Kaplan Interiors

 

Instagram photos by StyleCarrot – Follow me!

Design Diary: Stephanie Sabbe’s (Big) Small Style

I’ve been acquainted with Boston interior designer Stephanie Sabbe for a while, but just recently got the chance to formally collaborate with her. (I did run into her outside my apartment one day—we recognized each other from our blogs!)  I wrote  “Made To Measure” about one of her projects, a 1,000-square-foot South End condo, in the newest issue of Boston Home magazine. Doesn’t she look great? Can you believe she was really, really pregnant in this photo? Stephanie had her baby last week. Congrats!

700 Harrison Ave, Boston, MA; Stephanie Sabbe Interiors

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Doctors Christine Liang and Andrew Bond, who purchased a1,000-square-foot South End condo in the summer of 2011 after considering a larger house in Jamaica Plain, knew that in order to make their urban choice work, they’d need to be efficient. That they’d also be frugal was a given. Interior designer Stephanie Sabbe, who spent seven years designing commercial office space, immediately understood the couple’s mindset. Sabbe points out, “Corporations pay rent by the square-foot, so efficient space planning is key. Similarly, city apartments are too expensive for people to not be utilizing every square foot to its maximum potential.” Working with a few pieces they already owned, including the living room sofa, Sabbe balanced thrifty buys and cost-saving, crafty solutions with custom designs and a few well-placed splurges to create a space with an effective floor plan and a look that’s anything but big box.

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The main challenge was to create a formal dining area without overwhelming the space. After “a lot of studying with masking tape on the floor,” says Sabbe, they realized they’d need a dining table that was narrower than standard ones, but not as skinny (or high) as a console. Striking out on the retail front, Sabbe convinced the clients to spend a little more for a custom piece. Sabbe commissioned Jim Sears to weld a metal base and Cambridge-based Harvard Glass to cut a 30-inch wide by six-foot long glass top.

The couple requested a reclaimed barn wood table, but Sabbe convinced them that glass was the smarter choice, being less of a “visual space eater.” Bond says, “She was firm about the table, and totally right. We love its airiness.” Sabbe assembled an eclectic mix of seating options around the piece that all but disappear when not in use. A pair of chairs from IKEA stand at either end, while two ottomans, also from IKEA, and a handmade bench by Providence-based Darn Good Barn Wood, spotted at the SoWa Open Market, tuck under the long ends of the table. The low profiles keep the line of vision towards the city view free and clear.

In the kitchen,  Sabbe recommended just a few enhancements. She used magnetic blackboard paint on the side wall so things could be tacked up there rather than the fridge, which faces the main space. They added a pair of  Vintage Farmhouse Caged Pendants by  Junkyard Lighting, doing the work themselves. Also, a new industrial style faucet scored on Overstock.com. At the kitchen counter are machinist stools, which swivel down from bar to table height, and allow two more people to squeeze in when needed. The copper wall clock is from Pier 1.

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Sabbe created semi-custom hybrid slipcovers for the IKEA armchairs in the dining area by attaching the long skirt from the company’s HENRIKSDAL slipcovers to its NILS seat covers. Excess fabric became lumbar pillows for each chair. The ottomans are SOLSTA PÄLLBO footstools (only $15!), with leg extensions added on, and slipcovered with IKEA curtain panels.

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You’ll recognize the West Elm chevron rug, a steal on sale that Sabbe snapped up knowing the homeowners would be psyched, along with some throw pillows. They already owned the sofa, which works just fine. They added the trio of ceiling lights from Barn Light Electric, which cast pretty shadows on the ceiling. The concrete style Elements coffee table is  from CB2 and the table lamp is from local design shop Lekker.

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Bond spent a month priming and painting a vintage Dansk credenza in their garage parking spot. “The BMW owners on either side of me were definitely nervous when they saw the chartreuse paint,” he jokes. The couple, who are huge Craigslist fans, found the piece on the site for just forty bucks. The floor lamp is from IKEA, the black leather armchair they already owned, the artwork around the TV is mainly from the SoWa Open Market, and the used books are from the Brattle Book Shop in Cambridge.

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Sabbe is the first to admit that she used a number of mass-market retail pieces here, but her expertise lies in her ability to pair them with other budget-friendly finds to create a space that hums with personality. “We wanted a collected look,” she explains, “so it was important to set the tone right away, in the foyer.” Luckily, the grass cloth wall covering was already there, costing the clients nothing but supplying plenty of hearty texture. In need of a super skinny table to fit the narrow space, the homeowners tapped Darn Good Barn Wood for a reclaimed wood table. Above, Sabbe hung another piece of Americana, an eagle-topped convex mirror in order to break up the linearity of the hallway. A framed painting, a sketch from an antique shop, and the “I Love This Town” print from Etsy complete the tableau.

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The couple purchased a new bed, a floor model from Crate & Barrel in Cambridge, but—and Sabbe agreed—saw no need to throw out a perfectly good, if not dull, plain white duvet. Sabbe asked a seamstress jazz it up with a solid chartreuse border, and also had her make matching drapes. Custom coordinating Schumacher pillows add extra polish. The sconces, which the homeowners installed themselves, are by Visual Comfort.

The black and white photos above the bed, which make a punchy, graphic statement and pick up on the gray tones in the striped West Elm bedding, are photos that Liang and Bond took on their travels. Sabbe used Photoshop to make them look like Polaroids, then spent $30 at Kinkos to have them printed and laminated. She used wooden trouser hangers to hang them on the wall. Crafty girl!

Photos 1, 2, 5, 6, 7  by Bob O’Connor

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Does someone in your house often misplace the remotes? Think about getting extra replacement remote controls to have hand, just in case. Store them nearby in the credenza or bookshelf, with the DVD player and such.