Design Diary: Historic Nantucket Home by Elizabeth Georgantas

Let’s pretend it isn’t way too cold outside for April and take a trip to Nantucket. I wrote about the renovation of a classic kitchen with industrial details in this historic Nantucket home for the Boston Globe Magazine two summers ago.

Elizabeth Georgantas of Boston-based PEG Properties & Design and her husband and business partner, Peter, renovated and restored this 4,096-square-foot “in-town” historic house on Nantucket. Built in 1765, the home is believed to have been dismantled, rebuilt, and enlarged around 1820. In designing the interiors, Georgantas was careful to respect the home’s early roots while still incorporating modern-day amenities.

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Many beautiful features of the original house remain intact, like the wide plank, heart pine flooring and the 12-over-12 windows. When Georgantas and her husband purchased the house, the beams were covered under casing and a dropped ceiling. She uncovered the beams and added a couple of extras for balance.

On-island kitchen and bath design firm Nantucket House Fitters did the kitchen cabinetry. The three-quarter-inch-thick Carrera marble countertop is from Boston area supplier Cumar Marble & Granite.

The oil-rubbed bronze industrial style pendant lights are by Thomas O’Brien for Visual Comfort and the industrial style counter stools are from Leostine. The range is from French manufacturer La Cornue’s more modestly priced CornuFe line.

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Georgantas found the hutch at Furniture Consignment, a second-hand furniture shop in Chestnut Hill and had a carpenter rework the shelving in order to accommodate the television, which is mounted on an oscillating arm. The Westmore milk glass collection is from Brimfield

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A plate wall comprised of brown & white transferware.

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The brick patio is right off the kitchen. Georgantas paired an antique French marble-topped baker’s table she discovered online with vintage-inspired steel chairs. A giant clamshell planted with succulents doesn’t require much upkeep.

Rather than replacing the white cedar shingles, Georgantas had the exterior of the house power-washed, a decision that not only cut costs, but kept building materials out of landfills. Georgantas says, “We try to do as much possible to be green when we build.”

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The period-style dining room has a long worn-wood table, tall ladder back chairs and a pair of historic oil portraits.

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The original owners, Mary (Coffin) Starbuck and her husband Nathaniel, called the Parliament House. The pair led the Quaker movement on Nantucket, and the first meetings were held in their living room.

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An Oriental area rug adds color layered over a neutral, beach-appropriate sisal rug. About the furniture Georgantas says, “I didn’t need the furnishings to be historically accurate. I like the blend of comfortable, simple, current day furniture and period artwork.”

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Rich wood furniture and accessories with simple lines, along with the thoroughly present day yet charming white sofa are comfortable yet perfectly in place in this historic Nantucket house.

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The family room has a modern patterned rug, rustic wood coffee table, old-fashioned clear glass table lamp, and comfortable neutral sofa.

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A gallery wall of botanical prints lines the staircase.

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An iron canopy bed seems both fresh and modern and perfectly appropriate.

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A marble-topped antique dresser holds used books and historic objects.

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Vintage luggage stacked in a bedroom provides extra storage.

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A wood framed headboard with a vaguely French flavor is upholstered in blue linen  blue and white throw pillows in a subtle floral print add a wash of color in a bedroom.

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Rattan shades add texture in a guest room while blue and white ikat pillows and throw pillows with a slightly Asian flavored floral print add color and pattern.

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An early American antique chest sits at the foot of the bed, which has an upholstered headboard with nailhead detailing.

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This bathroom has been updated with marble tile flooring and polished chrome hardware, but the antique style vanity lends an historic air.

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Built in beds and a window seat in a children’s room.

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S H O P  the P O S T

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Design Diary: Modern Tudor Renovation By Hacin + Associates

On Sunday the Boston Globe Magazine published a new larger, format magazine. The issue included an array of lifestyle pieces, including a 10-page home decor piece, “Tudor Inspired,” that I wrote about a modern Tudor renovation. Boston-based architecture and design firm Hacin + Associates, led by David Hacin, transformed a 1932 Tudor Revival in Newton, Mass., into a modern family home.

Owned by two city guys who moved from the South End with their young daughter, this modern Tudor renovation is one of my all time favorite projects. It has an open, airy interior with sleek finishes that are juxtaposed against original details, and contemporary but comfortable furnishings. Classic patterns are applied in non-traditional ways, and masculine elements mingle with feminine infusions.

I spent a morning last month talking about the project with principal David Hacin, architect Eduardo Serrate, and interior designer Jennifer Clapp to learn all about this perfectly put together home. Here are the photographs along with design background and details. If there’s anything I’ve left out that you’re curious about, just let me know.

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Photo by Trent Bell

The living room is the main gathering place for the couple and their daughter. The limestone fireplace, original to the house, was the deal maker. One of the homeowners says, “When we saw it, we felt an instant emotional attachment.” Serrate added an architectural detail above the fireplace, to extend its presence to the ceiling. The curved windows flanking the fireplace are also original.

Serrate specified sleek wood panelling on one side of the room, while Clapp used a large expanse of an open weave drapery, made by local workroom Lori Designs Custom Drapery, on the other. The home is replete with such juxtapositions: dark versus light, solid versus soft, masculine versus feminine.

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Photo by Trent Bell

The black and white hand knotted carpet from Boston rug showroom Landry & Arcari is new, but evokes an antique look. Its textural striations are a recurring motif throughout the home. Contrast stitch on the grey linen sofa adds a hand-done feel, as do the the collection of hand embroidered pillows. (Note the swirly leafy pattern of the pillows and fireplace; you’ll see similar ones later.)

The home’s overall color palette was informed by traditional Tudor architecture. The style’s graphic elements, such as the tarred half timber latticework commonly found on exteriors and interior lime-washed walls inspired and guided them. “You don’t immediately perceive its influence,” says Serrate, “what you see is our interpretation.” Clapp adds, “We started with a Tudor house, so we wanted to honor its history rather than ignore it.”

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Photo by Michael Stavaridis

The Minotti “Prince” chair has a modern silhouette but traditional plaid upholstery. The hand-tufted leather DePadova Pouf Capitonné is from Boston furniture store Showroom.

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Photo by Emily Neumann/Hacin + Associates

The butterfly shadowboxes that flank the fireplace were made by Evolution in New York City .They’re inspired by traditional English curiosity cabinets. The homeowners and Clapp selected each individual butterfly.

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Photo by Michael Stavaridis

Serrate covered one wall in the living room in walnut, choosing to construct the look with multiple panels and very visible seams, rather than an unbroken expanse of walnut.

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Photo by Michael Stavaridis

The foyer does double duty as the home’s gracious gateway and makeshift Thanksgiving dining room—the homeowners seat 20 around four tables. While its large footprint didn’t change, openings to adjacent rooms were added and widened to facilitate flow and draw in natural light.

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The limestone tile-clad accent wall (Artistic Tile “Smoke”), which wraps into the kitchen for continuity, refers back to the fireplace in the living room. Clapp says, “Broad gestures like these allow for a big impact without gutting the interior.” The flooring is original quarter-sawn white oak.

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Photo by Michael Stavaridis

The Viccarbe “Davos” bench by Jeffrey Bernett is also from Showroom. Clapp drew a template and guide for the upholsterer to show where they wanted the fade of the custom fabric to fall on the piece. The striated effect is similar to that of the living room carpet.

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Photo by Emily Neumann/Hacin + Associates

The tread of  the redesigned stairway is made from blocks of white oak. The blackened steel rail has exposed joinery, such as the rivets at the bottom of the balusters. The handrail is also white oak. The effect is very solid and artisan-made.

The concept of visible craftsmanship, from exposed hardware to quilting and tufting, is evident in every room of this modern Tudor renovation. Clapp says,  “We reinforced this idea, which is a predominant feature in traditional English Tudor architecture, by showing off how things are built, formed, or sewn together.”

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Photo by Michael Stavaridis

A defined palette permeates the home. Limestone tile wraps into the kitchen, where custom walnut cabinetry echoes the walnut paneled wall in the living room. The dark grey pieces at the top bring in a graphic element and helps to separate the monolithic shapes from the ceiling so the cabinetry feels more like furniture.

A modern Tudor renovation calls for a large kitchen with a smooth flow. About the layout Serrate says, “The center island takes precedence, allowing the chef to move in a triangular pattern, unbothered by those eating or working at table or window seat.”

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Photo by Michael Stavaridis

The walnut canopy over the island provides a place to tuck recessed lighting, as well as ductwork for the hood. It also helps to create a more intimate scale, breaking up the room’s vertical elements. The Mutina ceramic floor tiles by Patricia Urquiola have a sandy texture. The kitchen opens onto the family room.

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Photo by Michael Stavaridis

The dining room, which opens off the living room, features wood panelling in the exact style of the original (but painted white), which Serrate had recreated after having to rip out the existing panels due to asbestos. Originally the roomI was a library, with a small entry that Serrate widened, stretching it to five feet, and retaining the shape and details.

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For the ceiling Clapp chose a traditional wallpaper print, William Morris “Thistle”  in Mulberry. (Designed by John Henry Dearle it is one of only five machine-printed wallpapers produced by Morris & Co. in the early 20th century.) . It provides a subtle and unexpected splash of color and visual texture. Scroll back up and note how the leafy pattern echoes the fireplace carvings.

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Photo by Michael Stavaridis

Clapp says, “We knew from the beginning that we wanted to use pattern as another element that was simultaneously  traditional and modern, but in a playful way, since the homeowners didn’t want the house to feel too serious.” Thus the consistent use of fun wallpaper. (You’ll see more soon.)

The Poliform “Flute” pedestal table by Roberto Barbieri purchased from Showroom is white lacquer over wood. The Moooi “Random Light” by Bertjan Pot (available online at Wayfair) is formed from resin drained yarn that is randomly coiled around an inflatable mold to create a translucent 3D fabric. Its open weave echoes the weave of the living room drapery.

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Photo by Emily Neumann/Hacin + Associates

The BD Barcelona “Showtime Chair” by Jaime Hayon, purchased at contemporary design showroom Casa Design Boston in SoWa, is highly customizable. These sport amethyst accents, from the leather armrests to the thread used to quilt the cushions, to the exposed exterior bolts.

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Photo by Michael Stavaridis

The family room, which sits between the dining room and kitchen, is the most feminine room in the house. It’s also the most contemporary interpretation of the overall design concept, from the colors, textures, and silhouettes to jaunty set of the Moroso “Redondo” sofa and chairs by Patricia Urquiola. Clapp says, “This house is not just about drama, there’s a lot of comedy in it.”

The carpet, like that in the living room, is charcoal with a nubby, handcrafted vibe. The De La Espada “Lily” tables by Tokyo-based design studio Leif.designpark, are walnut with white Corian tops. The floor lamps are Flos “Glo-Ball” lamps by Jasper Morrison (available online at Lumens).

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Photo by Trent Bell

Redoing the playroom wasn’t initially part of the plan, but the folks at Hacin were so excited about designing a playroom that they did it as a surprise for the homeowners. Of course, it was greenlighted.

The couple’s old Ligne Roset “Togo” sofa by Michael Ducaroy makes for comfy seating. Clapp added a Dare Studio “Wire” table by Sean Dare and created a fun geometric pattern with Flor carpet tiles.  On the opposite polka dot wallpapered wall, inexpensive white lacquer cabinets provide toy storage.

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Photo by Emily Neumann/Hacin + Associates

Child-friendly caged scones by Schoolhouse Electric & Supply Co. line a pin board made from Homasote fiber board painted white, where superhero drawings (along with robots and pigeons) get tacked up.

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Photo by Trent Bell

It was important to the homeowners that their daughter’s room be a place she wants to spend time. She chose the aqua felt-upholstered Blu Dot “Dodu” bed herself (available online at AllModern).  In fact, “aqua” was one of her first words. Clapp says, “We wanted a few things clash in a playful way, like the faded floral wallpaper and braided patchwork rug. The Serena & Lily “Ellie” side table in ceramic with a semi-translucent white glaze holds a stack of picture books.  A simple white blackout roller shade virtually disappears when it’s down or up.

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Clapp chose Designers Guild “Mehsama” wallpaper, a dramatically scaled floral bouquet painted in monotone shades, as the backdrop for the girl’s bedroom.

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Photo by Emily Neumann/Hacin + Associates

The homeowners found this soft-serve ice cream photo, which hangs in their daughter’s bathroom, online.

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Mutino “Pico” tile by Ronan & Erwan Bouroullec in red dot lines the girl’s bathroom.

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Photo by Michael Stavaridis

A small bedroom became the master closet-cum-office. The homeowners didn’t initially feel like they needed a separate dressing room, but it didn’t feel right to just add a couple of small closets to the master bedroom. When the designers pointed out that their daughter could do arts and crafts on the center island, they were sold.

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Photo by Michael Stavaridis

The black and white “Toile” wallpaper by Tracey Kendall is a tribute to the black and white Tudor color scheme. The dense pattern of cypress trees in a landscape is a modern reinterpretation of traditional British toile, but with a slightly off kilter, dense repeat.

The Gubi 93 chair by Boris Berlin and Poul Christiansen of Komplot Design has a black metal swivel base and is fully upholstered in purple. Serrate says, “Their daughter has such a presence in this house.”

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Photo by Michael Stavaridis

Since this is more of a dressing room than a walk-in closet (not to mention an office!) the clothing couldn’t be exposed. Cabinetry with walnut accents mirror the walnut used downstairs and Mockett leather pulls are another nod to hand-craftsmanship.

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Photo by Michael Stavaridis

The master bedroom is tailored and highly tactile, with cerused oak nightstands and nubby rug. A trio of low hanging pendants are set against laser-cut wool drapes, which echo the drapery panel in the living room. Tweed fabric wallpaper evokes men’s suiting. The homeowners are searching for just the right black and white photograph to hang.

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The circular forms embroidered on the bench upholstery—Maharam “Layers Vineyard Large” by Hella Jongerius—exhibits a breakdown in form, referring to the integrity (and in this case, studied imperfection) of craftsmanship throughout the house.

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Photo by Michael Stavaridis

The floating vanity is made from a slab of stone that looks like wood, sourced locally at Cumar Marble & Granite. Notice the matching strip at the top of the wall too. The large format marble floor tiles are from Stone Source. A Greek key border runs inside the shower.

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Photo by Michael Stavaridis

The airy guest room is set apart from the main rooms, behind the kitchen. Erica Wakerly “Fan” wallpaper in grey and white adds just the right amount of background pattern for the simplest white bedding. A family photo the homeowners already had but didn’t know what to do with hangs above the bed while handmade copper sconces hang on each side.

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Photo by Michael Stavaridis

The powder room is also done in grey and white, with hand-glazed tiles and Flavor Paper “Secret Garden” wallpaper by Dan Funderburgh, featuring broken wine glasses, snakes, geese, acorns, locks, and other oddities.

D E S I G N   T E A M

Principal: David Hacin  |  Project Manager: Eduardo Serrate
Senior Interior Designer: Jennifer Clapp as  |  Interior Designer: Katelyn Miersma
General Contractor: Sleeping Dog Properties

F L O O R   P L A N

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•          •         •

boston-globe-magazine-feb-8-2015

See the full story about this modern Tudor renovation.
Boston Globe Magazine
   February 8, 2015